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Yamaha PM1800A Owner‘s Part 1 User Manual - TB008500810035

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Yamaha PM1800A Owner‘s Part 1 User Manual

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Instruction & User Manuals

Table Of Contents

HOW TO USE THIS MANUAL
TERMINOLOGY AND TYPOGRAPHIC CONVENTIONS
INTRODUCTION
BRIEF OPERATING INSTRUCTIONS
PM1800A FRONT PANEL FEATURES
Input Module
Group 1 - 4 Modules
Group 5 - 8 Modules
Stereo Module
COMM Module
The Meter Bridge
PM1800A REAR PANEL FEATURES PW1800 POWER SUPPLY
PM1800A SPECIFICATIONS
GENERAL SPECIFICATIONS (PM1800A)
POWER SUPPLY SPECIFICATIONS (PW1800)
INPUT CHARACTERISTICS
OUTPUT CHARACTERISTICS
PERFORMANCE GRAPHS
BLOCK DIAGRAM AND GAIN STRUCTURE DIAGRAMS
INSTALLATION NOTES
PLANNING AN INSTALLATION POWER MAINS
Verify The Correct Mains Voltage
Ensure There Is A Good Earth Ground
How To Obtain A Safety Ground When Using A 2-Wire Outlet
Improperly Wired AC Outlets: Lifted Grounds
Improperly Wired AC Outlets: Lifted Neutral
AC Safety Tips THEORY OF GROUNDING
What Is A Ground Loop, When Is It Bad, And What to Do About It
Balanced Lines, Unbalanced Lines, And Ground Lift Switches AUDIO
CONNECTORS AND CABLES
Types Of Cable To Use
Cable Layout
Balanced Versus Unbalanced Wiring
The Pro‘s And Con‘s Of Input Transformers
Noise And Losses In Low And High Impedance Lines DIRECT BOXES
Passive Guitar Direct Box
Active Guitar Direct Box
GAIN STRUCTURE AND LEVELS
STANDARD OPERATING LEVELS DYNAMIC RANGE AND HEADROOM
What Is Dynamic Range?
The Relationship Between Sound Levels And Signal Levels
A Discussion Ot Headroom
What Happens When The Program Source Has Wider Dynamics Than The Equipment?
A General Approach To Setting Levels In A Sound System
How To Select A Headroom Value And Adjust Levels Accordingly GAIN
OVERLAP AND HEADROOM
OPTIONAL FUNCTIONS
REMOVING AND INSTALLING A MODULE
INPUT CHANNEL AUX 3 THROUGH 6 SENDS: PRE OR POST FADER
INPUT CHANNEL AUX SEND PRE POSITION: PRE FADER & EQ OR PRE FADER/POST EQ
GROUP-TO-MATRIX: ASSIGNED PRE- OR POST- GROUP MASTER FADERMETER FUNCTION IN "GROUP" POSITION: PRE- OR POST- GROUP ON/OFF SWITCH
INSTALLATION OF OPTIONAL INPUT TRANSFORMERS
HINTS ON CIRCUITRY FOR REMOTE CONTROL OF THE MUTE GROUPS
OPERATING HINTS AND NOTES CONSOLE GAIN STRUCTURE
What is the Proper Gain Structure?
What Affects Gain Structure?
Establishing the Correct Input Channel Settings
Establishing the Correct Group Master Settings
Establishing the Correct Aux Send Master Settings
Establishing the Correct Mix Matrix Settings
Establishing the Correct Aux Return Settings
Channel Muting and Gain Structure FURTHER HINTS & CONCEPTUAL NOTES
Understanding and Using the Mix Matrix
Understanding and Use of the Master Mute Function
Stereo Panning to the Eight Group Mixing Busses INTERFACE WITH POPULAR
INTERCOM SYSTEMS
RTS Intercom Systems
CLEAR-COM Intercom Systems
APPLICATIONS
GENERAL
Sound Reinforcement
Theater
Production
Post Production
Video SETUP CONCEPTS
Deriving a Stereo Mix From Groups 1-8
How to Get 4 Independent Stereo Mixes or 8 Mono Mixes (With Submasters) by Using the Stereo Bus, The Mix Matrix and The Input "Pan 7-6" Switches
MAINTENANCE
CLEANING THE CONSOLE
The Console and Power Supply Exterior
Power Supply Air Filter
Pots and Faders
The Console Interior
METER LAMP REPLACEMENT WHERE TO CHECK IF THERE IS NO OUTPUT WHAT TO DO IN CASE OF TROUBLE

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