DEBUâs style and sound are a rich and colorful tapestry of East and West, traditional and modern, yielding a unique blend; the music is laced with familiar yet exciting elements, incorporating a hint of Latin and a touch of jazz.

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WORLD: World Fusion, WORLD: World Beat



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âDEBU's sound is a heady mix of Middle Eastern strings, thumping drums, flutes, violins, a harp and other Indonesian instruments picked up during the band's travels through this vast archipelago.â (AP Jakarta)

DEBU redefines the term âworld music.â With its multilingual poetry, eclectic and always evolving selection of instruments, and members from various backgrounds and ages, DEBU has brought a new and exciting sound to the music world. DEBUâs brilliant fusing of East and West, traditional and contemporary, acoustic and electric, yields a unique sound, laced with familiar yet exciting elements.

Music aficionados of every genre can appreciate the ingenious and stimulating blend of traditional instruments (such as the Middle Eastern santur, saz and oud) with modern electric bass, keyboard and guitar.

DEBUâs repertoire does not focus on a particular category of music. The goal in creating the music is to take exciting rhythms and themes from both familiar and ethnic instruments and meld them to produce a new, vibrant sound.

The 24 member group, formed in 2001, has gained vast notoriety in Indonesia and Malaysia with its live and television performances, and with its albums Mabuk Cinta (Drunken with Love) and Makin Mabuk (Even More Drunk).

DEBUâs musical style transcends cultural borders. Each song is unique and attractive, creating excitement while conveying the message of its Sufi poetry - the universal love of the one True Love. DEBUâs lyrics are from the heart, to the heart.

DEBUâs Music

The music of DEBU is free and rich in expression because it is not fettered to any one musical style or concept. DEBUâs music is progressive, exploring new horizons of sound while at the same time remaining faithful to the purpose of the underlying poetry. It may reverberate with energetic Middle Eastern drumming or soar on the ethereal sounds of a flute. Melodies may evoke an Arabian caravan scene or the strumming guitar of western country music. One may hear nuances of cool jazz, western and Turkish folk music interspersed with the multi-cadences of traditional Indonesian marawis. The listener may be roused by the fierce rhythm of a marching song or soothed by hints of European classical music. Often members of the audience are brought to their feet by soulful rhythms.

Shunning the trite rhythms of most popular music, DEBUâs percussionists play an eclectic array of meters, leaning heavily on Eastern beats and Middle Eastern dance rhythms like the zafin. From Indonesian marawis and hajir drums to the Egyptian hand held tar drum, tambourine and finger cymbal, the percussion ensemble plays intricate tempo and counterpoint. While DEBU incorporates a varied ensemble of instruments, it doesnât shy away from modern elements of pop and rock music such as the bass guitar, trap drum set and keyboard.

DEBUâs music - while incorporating a wide range of musical styles, instruments, and languages â maintains its originality. Whether playing the Indonesian song âLautan Hatikuâ (Sea of My Heart) which has Oriental and Bollywood elements, or performing a pop-style English song like âWhere Does It Come From?â, DEBUâs music has a unique signature. The perfect melding of exotic and familiar elements attracts a wide range of listeners and fans, who appreciate DEBUâs music as entertaining and artistically expressive.

ââ¦the music has a rounded world music feel to it â their panoply of instruments evoke Egyptian, Irish, and Turkish soundsâ¦â David Kennedy, The Jakarta Post

Some Instruments in DEBUâs eclectic ensemble:

ï Irish Lap Harp: a 22 string model of the instrument that has been played since antiquity.
ï Santur: a very old instrument that was often played in the Persian royal court. There are 1000 year old poems which mention this Persian dulcimer.
ï Saz: Turkish long-necked member of the lute family; has an ancestry that can be traced as far back as the ancient cultures of Babylon and Sumeria.
ï Yaili Tamboura (or Tambura): Another Turkish long-necked instrument resembling a lute; frequently used to produce a drone accompaniment to singing.
ï Gendok-gendok: traditional Indonesian Bugis instrument somewhat similar to a carved wooden xylophone, stroked with two mallets. DEBU obtained this instrument from a Bugis mountain man in Southern Sulawesi.
ï Kemanche: a bowed string instrument held in the lap; its round gourd body, slender neck and sound board originally of fish scales.
ï Bamboo Sax: Hawaiian reed instrument with a sax-like sound.
ï Tablas: small two-sized hand drums used in Indian music and Indonesian Dangdut.
ï Oud: instrument which has been played in Africa and the Middle East for over 500 years, either plucked or played with a plectrum. In some cultures, it was the most important musical instrument. It is noted for its expressive similarity to the human voice yet its ability to blend with other instruments. Along with the violin it plays a major role in Middle Eastern music.
ï Sundanese Flute: a long bamboo flute from the Sunda people of Java Island, played at its extreme end like a recorder.
ï Bansri Flute: an Indian bamboo flute played from a side hole.
ï Dumbek: an Egyptian drum used in disco music in the Arab world. Its pitch is the higher end of the bass range.
ï Jembe: a tall drum made in Indonesia patterned after an African drum, used as a bass drum.
ï Marawis: small hand held drums used to play syncopated beats in intricate call and response patterns.
ï Hajir: a bass drum that accompanies the Marawis.