MP3 DANIEL BAND - STRAIGHT AHEAD

Limited Edition reissue of '83 album by Canadian hard rock/metal band with the melodic mentality of Kiss, but the ability to rock you like AC/DC.

12 MP3 Songs
METAL: 80's Metal, METAL: 70's Metal



Details:
As one of the pioneers of the modern Christian music genre, The Daniel Bandâs appeal to a varied listening audience has not diminished with time. The band always showcased searing vocals and screaming guitar arrangements that never ceased to impact our sonic environment with unattenuated conviction.

Originally released in 1983, STRAIGHT AHEAD, while adhering to well earned rock formulas, takes bold, expansive moves. From the haunting melody of âIn My Mindâ to the visceral attack of âLustful Illusionsâ and the "in-your-face" âReality,â this collection of songs is an excursion to fresh musical avenues that never stray too far from the bandâs signature offering of high energy riffs and to-the-point lyrics.

KEY SELLING POINTS

**Limited Edition release

**Two bonus tracks from the never before released 1980 demo recorded at Sound Design studios

**A classic Daniel Band release now sells for exorbitant amounts in collectible markets like Ebay

**Digitally remastered for enhanced audio clarity

**Band history in liner notes

**Lyrics included

**For fans of AC/DC, Rez, Barnabas, Jerusalem, Ted Nugent, Triumph, and fans of quality arena rock.

**Daniel Band has consistently been Retroactive Recordsâ best selling artist!

ANGELICWARLORD.COM REVIEW

Straight Ahead, the 1983 sophomore release from Canadaâs Daniel Band, proves aptly named in that, for a lack of better words, it moves in a âstraight aheadâ and no frills hard rock direction. A much heavier effort when compared to the bands 1982 debut On Rock, Straight Ahead might lack some of the polish of its predecessor but stands out as the stronger and more well rounded project from a musical standpoint. This is clearly reflected in the growth demonstrated by the band in terms of its songwriting skills in that the album delivers not only a greater degree of consistency but versatility as well: Straight Ahead, of course, features its share of energetic hard rockers (âPower Of Loveâ and âRealityâ) but also a semi-ballad (âHere I Amâ), a groove flavored number (âTâank Youâ) and even an acoustic based ballad (âIn My Mindâ).

Give Daniel Band, at the same time, a great deal of credit for maintaining the same high level of performance it displayed on On Rock. Bassist Dan McCabe continues to bring his refined, classic tenor lead vocal style and combines with talented newcomer Matt Del Duca on drums to form quite the tight sounding rhythm section. Guitarist Tony Rossi, who lends his raspy vocal delivery to three of the albums tracks, furnishes a more than adequate amount of gritty lead guitar work. Bill Findlay rounds out the mix on rhythm guitar.

While Straight Ahead might not showcase the same polished feel to its production values as On Rock, it features the better mix in that all the instrumentation, particularly the bass and drums, stands out in the cleaner and crisper sounding manner.

Please note that when Straight Ahead was released in 1983 it came out only in the cassette and vinyl formats. It did not make its way onto CD until 2003 when Retroactive Records re-issued it onto one disc with the bands follow up effort Run From The Darkness. When the 2003 re-issue went out of print, Retroactive released it again on CD but with two bonus tracks - âFree From Sinâ and âIâm Sorryâ - from Daniel Bandâs 1980 demo tape.

Opening the album to a hard hitting guitar riff, âPower Of Loveâ is carried forward at an upbeat tempo by a crunchy rhythm guitar until it culminates for a strong, melodic flavored chorus. After the song slows as McCabe delivers a worshipful message:

I see the morning and Your gloryâs there
Into the evening I know You care
I see the wonder when Youâre my aim
I see the night stars, they spell Your name

Rossi steps to the plate with several seconds of sharp sounding lead guitar work.

âYouâre All I Needâ fades in before moving forward to a quietly played guitar line as the rhythm guitar bounces in and out of the mix. Once the rhythm guitar establishes itself hard and heavy, the song attains a solid, hook filled chorus shored up by a punchy bass line. âYouâre All I Needâ is a song of faith:

When all I have to give is what I am
So many times Iâve failed You
So many times Iâve given in
And yet You gave for me the Spotless Lamb

The albums first-rate title track is a no-nonsense and in your face hard rocker. Rossi lends his vocal talents to a song moving at a guitar driven mid-tempo pace, a raucous environment established as âStraight Aheadâ advances on a sweeping chorus backed by a touch of vocal harmonies. A fluid guitar solo that is allowed to flow between the left and right channel tops off one of the albums stronger tracks.

The semi-ballad âHere I Amâ gradually fades in before a quietly played guitar line slowly pushes it forward. Picking up in pace halfway through its first verse, âHere I Amâ peaks upon reaching an emotionally charged chorus accentuated by a forward but complementary mix of keyboards. Rossi contributes a bluesy guitar solo to a song coming across in the form of a prayer:

Here I am
I have tried to all that I can
Tried to be a respectable man
But what You see is not quite what You planned
Oh I know, there is so much of me that should grow
But I find it so hard letting go
Oh Lord give me the strength that I need

The wonderful âTâank Youâ stands out as one of the albums more creative compositions. The song reflects a groove-laden if not a funk or even reggae vibe as a near perfect mix of acoustic guitar, bass and percussion carries it ahead to a catchy chorus with a worshipful feel:

Hallelujah, praise the Lord
Itâs time we listened to Godâs word
Itâs time we live in one accord
So, come on, make a joyful noise

Rossi really stands out here on lead vocals. While a bit out of place in a mostly hard rock environment, âTâank Youâ proves nothing less than a great deal of fun to listen to.

Straight Ahead, unfortunately, loses a bit of focus during its second half.

Things begin to go downhill, for example, with âLustful Illusionsâ, a driving hard rocker with a melody on the repetitive side. The song takes off with a ton of upfront guitar driven momentum but hits a wall upon attaining a chorus with a hook not quite strong enough to allow it to hold up under repeated play. As its title implies, âLustful Illusionsâ exposes the pornography and sex industry:

Theyâre glossy and shiny magazines
Designed to help you find your dreams
TVs, videos and movie screens
Larger than life â itâs a vile scene

Lustful illusions â thatâs what you see
Tempting dreams â not reality
And Satan is at the very core
A deadly disease, an open sore

The punchy âRealityâ begins to several seconds of tastefully done lead guitar work before an aggressively delivered riff shores up its first and second verse hard and heavy. After Rossi adds several seconds of razor sharp lead guitar work, the song closes out its third and final verse in the same catchy but hard hitting fashion. âRealityâ delivers the salvation message in no uncertain terms:

Salvationâs day is here at last
Discard your sin, throw off your past
Reach out and answer to His call
Without the blood of Jesus
There is no hope for us at all

The quietly played guitar line at the start of âCome Into My Lifeâ gives way to a crisp sounding rhythm guitar. Slowing as keyboards move to the front of the mix upon reaching its first verse, âCome Into My Lifeâ transitions to a fleeting but energetic chorus with an overriding repetitious feel. While certainly conveying a strong message, I tend to pass on this one.

Likewise, the driving hard rocker âCominâ Homeâ can come across a bit overbearing. The song advances through its first verse at a faster and more upbeat tempo only to slow upon reaching a blues flavored chorus held back by the heavy handed manner in which it is delivered. More often than not I end up hitting the skip button here.

The album ends strongly with âIn My Mindâ, an acoustic based ballad giving rise to a compelling melody and a very fine vocal performance from Rossi.

The two tracks from Daniel Bandâs demo sound a bit rough around the edges but serve to showcase the bands potential. âFree From Sinâ features a more prominently placed bass line when compared to the On Rock version, while the excellent ballad âIâm Sorryâ â which also appeared on On Rock â comes across with a slightly heavier and more aggressive feel.

All around, Straight Ahead proves a stronger effort when compared to On Rock. While the album fails to deliver any huge tracks that might rank with âIâm Sorryâ and âNever Againâ, it does feature its share of quality hard rockers (âPower Of Loveâ, Youâre All I Needâ and âRealityâ) in addition to a very fine semi-ballad (âHere I Amâ) and a good groove influenced number (âTâank Youâ). In the end, Daniel Band exhibits the talent here which led it to record its groundbreaking follow up effort Run From The Darkness.

Review by: Andrew Rockwell

Track Listing: âPower Of Loveâ (3:27), âYouâre All I Needâ (4:21), âStraight Aheadâ (3:38), âHere I Amâ (3:03), âTâank Youâ (5:04), âLustful Illusionsâ (4:27), âRealityâ (3:08), âCome Into My Lifeâ (3:52), âCominâ Homeâ (4:03), âIn My Mindâ (4:07), âFree From Sinâ (4:07), âIâm Sorryâ (4:31)

Musicians
Dan McCabe â Lead Vocals & Bass
Toni Rossi â Guitars & Lead Vocals
Bill Findlay â Guitars & Keyboards
Matt Del Duca â Drums & Percussion

Also Reviewed: Daniel Band â On Rock, Daniel Band â Run From The Darkness