MP3 Nadine Zahr - Underneath the Everyday

Rootsy, intimate, soulful, acoustic rock.

11 MP3 Songs
POP: Folky Pop, FOLK: Folk Pop



Details:
âI have a thing about vulnerability. I think people are too fearful of becoming emotional these days. Since I choose to be vulnerable in my songs, I want to create a safe place for others to feel vulnerable, too.â

-- Nadine Zahr 10/05


If ever there was a contemporary singer-songwriter that defied all expectations of the genre, itâs Nadine Zahr. Splashing her aural canvas with vibrant indie-pop tints, earthy roots-rock hues, and bluesy gospel-soul textures, Zahr rather heroically lays waste to the stereotype of the droopy, demurring neo-folkie. Indeed, the singer performs with such an all-consuming intensity, concertgoers would swear she feared death was the tax for delivering a routine show. âWhen Iâm done playing my live show, I want to be exhausted,â the singer says. âI want to feel like Iâve gotten rid of some things⦠like Iâve given some stuff up.â

Considering her batten-down-the-hatches attitude, itâs no wonder why critics have hailed her as one of the West Coastâs worthiest up-and-coming talents. Now, with the release of her independently produced debut album, the Palestinian-American singer makes her auspicious entrance onto the world stage. Released under the auspices of Zahrâs own Chirality Records and produced by alt-rock stalwart Dave Trumfio (Wilco, My Morning Jacket, Billy Bragg), Underneath the Everyday features 11 original compositions that showcase the singerâs expressive four-octave voice, while distilling her myriad influences into a beguiling musical self-portrait. Or, as the singer herself says with typical hip-shooting humor: âItâs sort of this pop-acoustic-soul-rock thing.â

Though spot-on accurate, Zahrâs tongue-in-cheek description still doesnât quite capture the embracive charms of her music. After all, this is the singer whose engaging live shows have left some of the most jaded critics employing adjectives like âpowerfulâ and âsoul-driven.â In a particularly gushy profile, an alternative Southern California weekly noted: âYou donât hear background conversation when Zahr is performing⦠audiences are invariably spellbound.â The revered West Coast publication, Music Connection, was similarly effusive. âNadine Zahr is a Dave Matthews-like guitar talent,â the magazine recently wrote, âand this woman can flat-out sing.â

With its yin-yang mixture of folk, pop, rock and soul, Underneath the Everyday will surely leave listeners singing their own hosannas. From the epiphanic opening strains of âWhere I Never Was,â to the confessional sentiments of âSunset,â and the impressionistic lyricism of âHorses and Fish,â the album is as masterful a reconciliation of softness and strength as youâre likely to hear. Inspired by an ill-fated relationship and its accompanying revelations, Underneath the Everyday reveals itself -- and its creator -- like some slow-flowering prairie blossom.

âItâs literally a picture of what my life was like for the last year,â Zahr explains, recalling the long distance romance detailed on the album. âI had one foot in Los Angeles, and the other in Seattle... During that period of research and discovery, the record just kind of happened.

âFor the first time ever, I was working in a professional studio,â Zahr continues. âBecause Iâm so used to writing and performing alone, I was constantly asking myself âwho am I in all of this? Is this what I really wantâ? Every time a new instrument would be put on the record, I would question it.â

Thankfully, fans old and new are the richer for Zahrâs obsessions. As its title suggests, Underneath the Everyday burrows below the surface in its insistent determination to get at the truth. Though the funky âLess Than 24 Hoursâ finds Zahr recounting a real-life tryst, listenerâs will relate to the songâs descriptions of all-consuming passion (âwhere can we hide?, âcause i don't want the world to find us tonight / âcause i got less than 24 hours before i go my way and you go yoursâ). On tracks like âWhere I Never Wasâ and âCatch,â Zahr struggles to reconcile feelings of romantic devotion and soul-stifling doubt. âIntelligence became books-read rather than life-lived,â she sings on the acerbic kiss-off ballad, âAround You.â Mere seconds later, Zahr courageously owns up to her own demons. To wit: âIâm not my best when around you.â

As her life story attests, the independent spirit that animates Nadine Zahrâs music is no affectation. Raised in the suburbs of New York City, she took up guitar when she was 12, composing her first tune after a single lesson. Her aspirations in the arts, however, werenât met with enthusiasm from her mother, who raised Nadine and her two sisters. âIt was a cultural as well as a protective reaction from my mother.â

In 1948, Nadineâs parents fled with family from their native Palestine to Lebanon, seeking refuge from the conflict with Israel. Her mother was only 40 days old at the time, and her father, a mere toddler. Having married with one child and another on the way, the family would be uprooted again in 1975 due to the civil war in Lebanon. With the struggles her parents faced abroad with poverty and discrimination, her mother saw no other choice than to settle in the U.S. for her children to flourish. In her eyes, however, flourishing meant academically, not artistically. âShe didnât see it as a secure career,â Zahr says, âbut my argument was âwhat is a secure career nowadaysâ?â

More determined than ever, Zahr sought out opportunities for herself. Mere weeks after her formal guitar education began, it abruptly ended when she joined the childrenâs chorus in Broadwayâs Joseph and the Amazing Technicolor Dreamcoat. The die was cast. From that point forward, Zahr would hotly pursue her performing aspirations, even over the well-meaning concerns of her own mother.

Enrolling at Washington, DCâs Catholic University in 1998, Zahr was studying musical theater when she heard the siren-like beckonings of her true calling. To Zahrâs surprise, a basement demo found its way around campus. The rave reviews set the foundation for the following year, when she embarked to Los Angeles to stake her claim as a recording artist. And though sheâs basically a self-taught guitarist and vocalist, she gives credit where it is due. âMy music theater training taught me the importance of rapport,â she says. âHaving that relationship on-stage with your audience⦠thatâs everything.â

To insure that her artistic visions remained uncompromised, Zahr founded Chirality Records in 2005 with the release of a limited edition EP that has sold in excess of 1,000 copies solely at shows and online (âchiralityâ is a Greek term that roughly translates into âby handâ). Now, with the release of Underneath the Everyday, Zahr continues to follow her distinct inner-voice. Asked what the album personally represents, the singer reveals the same spiritedness that buoys her music.

âIâm just proud,â she says with a smile. âI think this record is a hi-rez snapshot of where I was, and who I am becoming. The point is that itâs just the first of many snapshots.â