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MP3 Big Band Sounds - Swing Era 1944-1945 Cd009

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MP3 Album Cover


Contains these products:
    Single items of this product are seperate available.
  1. play button
    Opus One (Tommy Dorsey Version)
  2. play button
    Oh, What a Beautiful Mornin (Jimmy Dorsey Version)
  3. play button
    Taps Miller (Count Basie Version)
  4. play button
    Its Only a Paper Moon (Nat King Cole Version)
  5. play button
    S Wonderful (Artie Shaw Version)
  6. play button
    Carnival (Harry James Version)
  7. play button
    Sentimental Journey (Les Brown Version)
  8. play button
    Wildroot (Woody Herman Version)
  9. play button
    Sweet Lorraine (Nat King Cole Version)
  10. play button
    Things Aint What They Used To Be (Duke Ellington Version)
  11. play button
    Eager Beaver (Stan Kenton Version)
  12. play button
    Begin the Beguine (Eddie Heywood Version)
  13. play button
    Tippin In (Erskine Hawkins Version)
  14. play button
    Northwest Passage (Woody Herman Version)
  15. play button
    Apple Honey (Woody Herman Version)
  16. play button
    On the Sunny Side of the Street (Tommy Dorsey Version)
  17. play button
    Skyliner (Charlie Barnet Version)
  18. play button
    Twilight Time (Les Brown Version)
  19. play button
    Hamps Boogie Woogie (Lionel Hampton Version)
  20. play button
    Leap Frog (Les Brown Version)
  21. play button
    Im Beginning To See the Light (Harry James Version)
  22. play button
    Clarinade (Benny Goodman Version)
  23. play button
    Southern Scandal (Stan Kenton Version)
  24. play button
    Goosey Gander (Woody Herman Version)

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Description:
This single CD has 24 tracks of professionally recorded, popular, hard-to-find versions of Big Band/Swing Era artists. Its excellent sound and quality are reminiscent of that unique era in American music.

24 MP3 Songs
JAZZ: Big Band, JAZZ: Swing/Big Band



Details:
The year, 1944, brought fresh new life to the big bands of the Swing Era. The musicians' union chief, James Petrillo, had managed to keep the musicians out on strike against the record companies for more than two years. Although the bands were active in movies, on radio, at public appearances and wartime camps, they were not given the opportunity to make records as non-union musicians. In November 1944, the last companies finally succumbed to Petrillo's demands for special royalties. The bands rushed to the studios and in the space of a few months recorded many of the songs they had been playing for those years on strike.

Since they had last recorded, the bands had changed through new ideas. New sidemen, replacing those still in the armed services, were heard in the bands of Tommy and Jimmy Dorsey, Harry James, Gene Krupa and Artie Shaw. Woody Herman, with his unique band, dominated the swing scene for several years. A new jazz was springing forth with Stan Kenton, who was coming into his own. Standard swing was gaining momentum with new techniques, tones and even full-size string sections. There was great hope for salvaging the record buyers lost during the strike. But, this would not be the case even though records of the period possess a special quality about them.


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