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MP3 Big Band Sounds - Swing Era - Postwar Years - Cd010

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Contains these products:
Single items of this product are seperate available.
  1. play button
    Chicago (Tommy Dorsey Version)
  2. play button
    September Song (Harry James Version)
  3. play button
    High on a Windy Trumpet (Les Brown Version)
  4. play button
    Midnight Sun (Lionel Hampton Version)
  5. play button
    Tenderly (Randy Brooks Version)
  6. play button
    Chloe (Tommy Dorsey Version)
  7. play button
    Dream (Pied Pipers Version)
  8. play button
    Concerto to End All Concertos
  9. play button
    Concerto to End All Concertos
  10. play button
    Ive Got My Love to Keep Me Warm (Les Brown Version)
  11. play button
    I Should Care (Tommy Dorsey Version)
  12. play button
    Hamps Walkin Boogie (Lionel Hampton Version)
  13. play button
    Afternoon in August (Billy Butterfield Version)
  14. play button
    At Sundown (Tommy Dorsey Version)
  15. play button
    Rachels Dream (Benny Goodman Version)
  16. play button
    The Man with the Horn (Randy Brooks Version)
  17. play button
    Bijou (Woody Herman Version)
  18. play button
    Then Ill Be Happy (Tommy Dorsey Version)
  19. play button
    Blowin Up a Storm (Woody Herman Version)
  20. play button
    Happy-Go-Lucky Local
  21. play button
    Happy-Go-Lucky Local
  22. play button
    The Good Earth (Woody Herman Version)
  23. play button
    Autumn Serenade (Harry James Version)
  24. play button
    Route 66 (Nat King Cole Version)
  25. play button
    Lovers Leap (Les Brown Version)

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Description:
This single CD contains 25 tracks of quality sound, professionally recorded versions of renown musicians of the Postwar Years Swing Era.

25 MP3 Songs
JAZZ: Big Band, JAZZ: Swing/Big Band



Details:
The war had ended So had the recording ban, under which the musicians' union, led by Petrillo, had forbidden its members to make records. Sidemen left the services and began taking their old places on the bandstands and the big bands prepared to return to the way they were.

But there were casualties. Many musicians had survived the war, but were unwilling now to suffer the rigors of one-night stands on the road. Glenn Miller, one of swing's great bandleaders, became a casualty of the war when his plane was lost only a few months before V-E Day. Some bands were nearly non-existent. Vocalists, who had been able to record as non-union musicians, became entrenched in the public favor during the recording ban. Thus, the enthusiasm by the previous admirers of jazz seemed to have waned.

This was a devastating time for the big bands and very abruptly the swing era was coming to an end.

The music of the period contained size and subtlety. The musicians were vigorous and inventive. Stan Kenton was recording some of his most brilliant work at this time. Woody Herman's band, The Thundering Herd, was voted the best band of the period. Gene Krupa, Lionel Hampton and Les Brown turned away from traditional jazz for the more popular harmonies of progressive jazz.

Swing has its unique sound and techniques which seemed to have faded into the sunset but that is not the case, for the music is still hot, brilliant and bold. The era had ended, but swing lives on.


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