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MP3 Big Band Sounds - Swing Era, The 50´s - Cd011

Music » Jazz, Blues, Funk » Page 3941 Jazz, Blues, Funk

 

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Contains these products:
    Single items of this product are available separately.
  1. play button
    The Kid from Red Bank (Count Basie Version)
  2. play button
    Swanee River Boogie (The Commanders Version)
  3. play button
    Just A-Sittin and A-Rockin (Stan Kenton Version)
  4. play button
    All of Me (Billy May Version)
  5. play button
    April in Paris (Count Basi Version)
  6. play button
    The Continental (Tommy Dorsey Version)
  7. play button
    Early Autumn (Woody Herman Version)
  8. play button
    St. Louis Blues March (Glenn Miller Version)
  9. play button
    The Peanut Vendor (Stan Kenton Version)
  10. play button
    Tango Blues (Harry James Version)
  11. play button
    Caravan (Ralph Marterie Version)
  12. play button
    V.I.P.s Boogie (Duke Ellington Version)
  13. play button
    Across the Alley from the Alamo (Stan Kenton Version)
  14. play button
    Bingo, Bango, Boffo (Tommy Dorsey Version)
  15. play button
    Lean Baby (Billy May Version)
  16. play button
    Hot Toddy (Ralph Flanagan Version)
  17. play button
    The Doodletown Fifers (Sauter-Finegan Version)
  18. play button
    Interlude (Stan Kenton Version)
  19. play button
    Cute (Count Basie Version)
  20. play button
    Pussy Willow (Tommy Dorsey Version)
  21. play button
    Artistry Jumps (Stan Kenton Version)
  22. play button
    Night Train (Buddy Morrow Version)
  23. play button
    Keen and Peachy (Woody Herman Version)
  24. play button
    Benjies Bubble (Benny Goodman Version)

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Description:
This CD contains 24 tracks of outstanding quality sound representing versions of noted musicians during the 1950 Swing Era.

24 MP3 Songs
JAZZ: Big Band, JAZZ: Swing/Big Band



Details:
After the disheartening weeks in 1946 when half a dozen of the biggest bands in the business broke up, there seemed to be no future for swing. Bands reformed themselves but it was not the same. New idols and new kinds of jazz were pushing into the spotlight. Theaters no longer hired bands due to TV competition. Radio had been usurped by disc jockeys who did not need live bands. People did not dance to jazz any more. And musicians returning from military service found it hard to get jobs.

The competition for jobs helped swing in that leaders had their pick of sidemen and the bands recovered a quality lost during the war. Cautiously, at first but then more eagerly, the harmonies and rhythms of the new jazz were intertwined into their music thus keeping swing from becoming merely an echo of itself. There was more precision and polish with the more mature musicians. The swing of the decades after the war was a refreshing variety of styles and contain a fullness. Jazz was no longer in the running as mass music, however, as rock became popular. Swing rather settled into place as one of the many forms - bop, cool, modern, progressive - that jazz developed. Jazz no longer reigned but it was and still is - swing.


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