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MP3 Big Band Sounds - Swing Era 1942-1944 Cd008

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MP3 Album Cover


Contains these products:
Single items of this product are seperate available.
  1. play button
    Trumpet Blues and Cantabile (Harry James Version)
  2. play button
    On the Alamo (Tommy Dorsey Version)
  3. play button
    Clarinet a la King (Benny Goodman Version)
  4. play button
    Ida! Sweet as Apple Cider (Glenn Miller Version)
  5. play button
    Mexican Hat Dance (Les Brown Version)
  6. play button
    Chelsea Bridge (Duke Ellington Version)
  7. play button
    Straighten Up and Fly Right (Nat King Cole Version)
  8. play button
    Ive Got a Gal in Kalamazoo (Glenn Miller Version)
  9. play button
    Sleepy Lagoon (Harry James Version)
  10. play button
    Six Flats Unfurnished (Benny Goodman Version)
  11. play button
    Blues in the Night, Part I (Jimmie Lunceford Version)
  12. play button
    Blues in the Night, Part II (Jimmie Lunceford Version)
  13. play button
    Mission to Moscow (Benny Goodman Version)
  14. play button
    I Guess Ill Have to Dream the Rest (Glenn Miller Version)
  15. play button
    Cherry (Harry James Version)
  16. play button
    WhereOhWhereHasMyLittleDogGone?(ClaudeThornhillVersion)
  17. play button
    Down for Double (Count Basie Version)
  18. play button
    Ive Heard That Song Before (Harry James Version)
  19. play button
    The Earl (Benny Goodman Version)
  20. play button
    Moonlight on the Ganges (Tommy Dorsey Version)
  21. play button
    I Dreamt I Dwelt in Harlem (Glenn Miller Version)
  22. play button
    C Jam Blues (Duke Ellington Version)
  23. play button
    Hes My Guy (Harry James Version)
  24. play button
    Bugle Blues (Count Basie Version)
  25. play button
    Stardreams (Charlie Spivak Version)

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Description:
This single CD contains tracks of quality, professionally recorded versions of some of the great musicians of the Swing Era 1942-1944.

25 MP3 Songs
JAZZ: Big Band, JAZZ: Swing/Big Band



Details:
At times during the years, 1942-1944, the Swing Era seemed to be relatively quiet. The war obviously had caught up hundreds of musicians and leaders. But grief was evident as music became engulfed in wars. In June 1941 the radio networks battled against the American Society of Composers, Authors & Publishers (ASCAP), which held the rights to most popular songs and wanted the networks to increase what they paid for using them. However, when the networks refused, bands were not allowed to broadcast any ASCAP tunes. Radio listeners became very anxious listening to endless jazzed-up repetitions of "Jeanie with the Light Brown Hair" and "Comin' Thro' the Rye."

After a year of struggle to end that battle another more devastating confrontation came in August 1942 between the musicians' union and the recording companies. For two years, while the union insisted that the companies make sizable contributions to the union's pension fund, most name bands were not allowed to make records.

However, there was plenty of music to hear and admire. Harry James was so mobbed during his personal appearances at the Paramount in New York City that he could not venture out on the street undisguised. Charlie Spivak broke all attendance records at Convention Hall in Atlantic City. The month prior to the musicians' strike, the bands created a stockpile of recordings, which provided the country and its jukeboxes considerable music to get through the perilous times. Big bands were in their glory at this time. Even though much of the music was not on record, the best of it was played in a strong, spirited way ranking it among the best of the entire Swing Era.


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