Pop Hooks, sexy guitar solos & mesmerizing rhythms

9 MP3 Songs
ROCK: Glam, POP: Power Pop



Details:
The Ovulators self-titled album, their first studio effort, elicits a far-ranging spectrum of emotion; from the tingle of a new experience to the longing for days gone by. The recording oozes with both organic jams and tight licks, and layers ethereal vocal back-ups over crunchy guitars. It mirrors the spirit of The Ovulators onstage performance as the music cycles through jagged and smooth, love and loss, tension and release. The Ovulators CD is the culmination of a four-year journeyâ¦

Look above⦠a silver streak illuminates the sky, then a glowing egg-shaped rocketship crashes to Earth. Four entities from planet Zygote emerge in a cloud of glitter. In order to elude Evil Forces of Repression who destroyed their home planet, they condense their bodies of sound and light into the shape of human females, becoming The Ovulators. By nature, Zygotians are evolutionary accelerators who emit audio frequencies that are strikingly similar to Earth-based rockânâroll music. As The Ovulators, they express themselves through the medium of electric guitars, power-bass and driving drums, while weaving a trio of distinctive vocals and songwriting textures into a sonic tapestry. The Ovulators amplify the impact on their audience by wearing flashy and constantly morphing matching attire, conveying thematic stories of personal transformation.

Following their Zygotian instincts, the four women find their way to Eugene, Oregon, in Earth-year 2002, where their indigenous vibratory language wins them praise amongst the local music scene. As an embryonic band, The Ovulatorsâ sound is unique. Each member brings a conception of their journey to the songs. However, some compare their sound, laced with pop hooks, sexy guitar solos, and mesmerizing rhythms to bands such as The Pixies, Richard Hell, and The Breeders.

Although they must hide from the Evil Forces who search for them, The Ovulators and their growing sonic alliance fear not. They shine like a beacon through the damp fog of the Northwest, risking destruction with every rock anthem. Their fame rises when they are cast as the house band for a local theater production of Hedwig and the Angry Inch which wins âBest Dramatic Play of 2004â from the Eugene Weekly. That same year, the Register-Guard praises them for their âunconventional musical soundâ at the Willamette Valley Folk Festival and in 2005, owing to the love and adoration of their fans, they are awarded the honor of âBest Rock Band of Eugene.â Along their journey, The Ovulators movement has been catalyzed by playing with bands like Mike Watt & the Secondmen, 50 Foot Wave, Living Colour, The Gossip and The Lovemakers, and travelling to nearby cities to spread their vivacious styleâ¦and now comes their first studio album.

The Ovulators CD opens with the raunchy fire anthem, âCircled In Flames.â Full of tantalizing vocal harmonies and guitar interplay, this song has been called âmodern-garage psychedelia at it's finest.â From these raw rock beginnings, the album swoons into dreamy introspection with âDrag Queen,â a timeless tale of pain and death among San Francisco transvestites, overlaid with soulful backups and bubbly guitar. The Ovulators heighten the energy with the eerie, wailing intro to âVampire.â This dark, otherworldy ballad is ripe with visceral rhythms, brooding guitars, and haunting lyrics that are bound to possess the listener. Next, the song âSatellite of Loveâ lightens the mood, merging punk-rock riffs and Martha & the Vandellas wall-of-sound vocals.

Awash in images such as passion flowers, crop circles, and nightclubs, The Ovulators is a ride through the modern age with glimpses of possible futures...you won't want to miss it and be left behind.