Diatonis - Trajectories Album (FLAC 5.1)

'Trajectories' is an ambient music album by Diatonis. It consists of 8 songs in the FLAC 5.1 Surround format (*.flac)

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For More Info go here: http://diatonis.tradebit.com/

File Specs:
44.1kHz / 24-bit / 5.1 Surround

FLAC stands for Free Lossless Audio Codec, an audio format similar to MP3, but lossless, meaning that audio is compressed in FLAC without any loss in quality.


1. Morning Sky
2. Flatland
3. Lucid Dreaming
4. Cloudless
5. Nothing in Mind
6. Thundering Silence
7. One To Be
8. The Secret Universe (added 2011)

Diatonis Trajectories - Reviewed By Jim Brenholts
http://eer-music.com/EER_music_reviews/DIATONIS_STUART_WHITE.html

In a recent discussion about current e-music trends and directions, Lloyd Barde, owner of Backroads Music, home of The Heartbeats Catalog, and one of the worlds foremost experts on electronic music, cited Diatonis (Stuart White) as one of the hottest artists in 2004s e-music community. Such statements are, of course, subjective and subject to debate but if Lloyd makes such a bold statement, the idea has merit. Listening to Stuarts music seals the deal.

Trajectories is a set of imperfect pieces that achieve rare beauty and true originality because of the imperfections. Diatonis approach and his own perfectionism allows him to create art from mistakes made by machines that are by design and definition perfect!

Deep listeners, however, will hear no imperfections and no mistakes! Diatonis has crafted a deep soundscape full of pastoral ambience and bright drones. The atmospheres are constantly gathering and releasing sound design elements. They are on a constant crescendo, building towards a denouement that isnt there. The soundscapes evoke imagery of a sunrise over blue skies complete with rainbows, flowers and wispy clouds total serenity. It is an allegory for the dawn of man.

(Indeed, the entire CD is full of references to Richard Strausss Sunrise, the ultimate cinematic score for new birth or rebirth.) This is a special disc. Stuart created it in 2003 but released it in 2004. Thus, it is an important piece of the dawn of e-musics Golden Age. Jim Brenholts