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Mp3 Classical Child - The Classical Child DreamsThe Classical ChildŽ Series is a delightfully unique presentation of classical music made especially with kids in mind. 13 MP3 Songs KIDS/FAMILY: General Ch......
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MP3 Del Rey & The Sun Kings - Battleship Potemkin
Price: 8.99 USD
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(ID 1599074)
in partnership with CDbaby
User tags: classical contemporary, electronic industrial, mp3 album
industrial classical soundtrack music for revolutionaries
16 MP3 Songs
CLASSICAL: Contemporary, ELECTRONIC: Industrial
Details:
Battleship Potemkin is Jackson Del Rey's homage to director Sergei Eisensteinâs classic silent film. In his writings, Eisenstein stated that he hoped a new score would be written for the Battleship Potemkin every ten years. Eisenstein felt that although the imagery of the film would remain vital and vibrant, new music would help âupdateâ the film and thereby aid its introduction to subsequent generations of moviegoers.
The Battleship Potemkin was originally screened in Moscow in October of 1925. Interestingly, in 2005, (the 80th anniversary of Potemkin) the Pet Shop Boys (Iâm not kidding) were commissioned to compose a new soundtrack thereby âfulfillingâ Eisensteinâs wishes. However, the score by the Pet Shop Boys fails to capture and/or convey any of the unique drama or historical context that led the valiant sailors aboard the Potemkin to mutiny against the tyrannical rule of Czar Nicholas. And quite frankly, the 80âs era Pet Shop Boys apparently havenât bought any new synthesizers lately and their score sounds, well, dated. Perhaps they could write the score to the next David Hasselhoff movieâ¦
Eisenstein kept notes about what kind of music he wanted to see behind âPotemkin.â He wrote that he was not very interested in melodies that followed the action on the screen and that instead, the songs should be structured in such a manner so as to build tension between the five parts or chapters he designated as the âinnerâ construction of âPotemkin.â Eisensteinâs only other recorded thoughts regarding the musical score was that he wanted the ending sequences as rhythmic as possible.
To this end, Del Rey & The Sun Kings chose to blend classical instruments including live violins reminiscent of Samuel Barber, with nylon stringed guitars and rather cool trumpets (think Miles Davis) together with an âindustrializedâ background of purposefully synthetic sounding Tangerine Dream inspired keyboards and various rhythmic, mechanical samples (Morse code/echo sounder/machine press.)
âPotemkinâ also pays homage to several of Del Reyâs favorite film composers, most notably Ennio Morricone (Vakulinchuk Acts) and Jerry Goldsmith (A Happy Day In The City.)
16 MP3 Songs
CLASSICAL: Contemporary, ELECTRONIC: Industrial
Details:
Battleship Potemkin is Jackson Del Rey's homage to director Sergei Eisensteinâs classic silent film. In his writings, Eisenstein stated that he hoped a new score would be written for the Battleship Potemkin every ten years. Eisenstein felt that although the imagery of the film would remain vital and vibrant, new music would help âupdateâ the film and thereby aid its introduction to subsequent generations of moviegoers.
The Battleship Potemkin was originally screened in Moscow in October of 1925. Interestingly, in 2005, (the 80th anniversary of Potemkin) the Pet Shop Boys (Iâm not kidding) were commissioned to compose a new soundtrack thereby âfulfillingâ Eisensteinâs wishes. However, the score by the Pet Shop Boys fails to capture and/or convey any of the unique drama or historical context that led the valiant sailors aboard the Potemkin to mutiny against the tyrannical rule of Czar Nicholas. And quite frankly, the 80âs era Pet Shop Boys apparently havenât bought any new synthesizers lately and their score sounds, well, dated. Perhaps they could write the score to the next David Hasselhoff movieâ¦
Eisenstein kept notes about what kind of music he wanted to see behind âPotemkin.â He wrote that he was not very interested in melodies that followed the action on the screen and that instead, the songs should be structured in such a manner so as to build tension between the five parts or chapters he designated as the âinnerâ construction of âPotemkin.â Eisensteinâs only other recorded thoughts regarding the musical score was that he wanted the ending sequences as rhythmic as possible.
To this end, Del Rey & The Sun Kings chose to blend classical instruments including live violins reminiscent of Samuel Barber, with nylon stringed guitars and rather cool trumpets (think Miles Davis) together with an âindustrializedâ background of purposefully synthetic sounding Tangerine Dream inspired keyboards and various rhythmic, mechanical samples (Morse code/echo sounder/machine press.)
âPotemkinâ also pays homage to several of Del Reyâs favorite film composers, most notably Ennio Morricone (Vakulinchuk Acts) and Jerry Goldsmith (A Happy Day In The City.)
in partnership with CDbaby
User tags: classical contemporary, electronic industrial, mp3 album
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