Haunting, Sexy, sophisticated indie pop with a lo-fi edge. Crooked Smiles offers up some of the most genuine songwriting youâve heard in years and combines it with an equally emotive, musical landscape.

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ROCK: Progressive Rock, POP: Beatles-pop



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âThe line-up alone should be enough to make you sit up and take notice, but when you add ace songwriter then you have a classy rock album.â -- Alan Cackett/ U.K. Maverick Magazine

Stefanie Fix creates haunting, sexy, sophisticated indie-pop with a lo-fi edge. Crooked Smiles offers up some of the most genuine songwriting youâve heard in years and combines it with an equally emotive, musical landscape. Itâs a refreshing reproach to the formulaic âsensitiveâ singer/songwriter, proving that emotional insight is possible without self-indulgence, sentimentality or cynicism.


Crooked Smile is the follow-up to Fixâs highly-acclaimed full length CD, SURVIVAL, and experimental EP, Limited Sight Distance. Produced by Stephen Doster and Johnny Goudie, Crooked Smile features Dony Wynn on drums/percussion (Robert Palmer/Steve Winwood), Brad Houser on bass (Edie Brickell & The New Bohemians), Jon Sanchez on guitar (The Summer Wardrobe) & Stewart Cochran on keyboard (54 Seconds/Jimmy LaFave).


It's been a long and tangled road for Stefanie Fixâs stunning, intricate new album, Crooked Smile, but three yearsâ worth of major life changes, including a move to Austin, TX, never compromised a clear musical vision. Now this songwriterâs songwriter returns with her finest collection of songs yet. From the playful, optimistic opening track âLet the Sun Shine Thru Youâ to the hushed sophistication of âHoly Shit Ma,â the tracks on Crooked Smile reveal a sprawling, hard-fought range of emotions about love and identity, delivered with the musical palette to express them all. These are mature songs about complicated sentiments.

Fix re-invents herself with every new musical project. The continuity lies in her distinctive voice and astonishingly honest lyrics that are crafted to be emotionally revealing without having to be personally revealing. The result: remarkably universal songs that speak to anyone willing to listen.

Like a magnet, Stefanie Fix manages to draw a world-class musical cream of the crop to all her projects. Stefanieâs last full length CD, SURVIVAL was co-produced by Larry Campbell (Bob Dylan) and the late Bob Mayo (Hall & Oates, Peter Frampton). Recorded in upstate New York, the CD received 4 stars from All Music Guide and Stefanie toured all over North America with SURVIVAL in tow.

But there was this internal itch. Stefanie realized that the music she was most excited about wasnât what she was making. That itch was the genesis of her next project, Limited Sight Distance (LSD). A clear and conscious choice to abandon the confines of the singer/songwriter genre and embrace the emotive power of sonic exploration, LSD included contributions from Adam Snyder, Jason and Justin Russo (all formally of Mercury Rev) and John Parker (Varnaline). Produced by Kevin McMahon (The Walkmen, Home, Cakelike, and The Mooney Suzuki), Stefanie again attracted a musical âcrème de la crème.â

Stefanie Fix wants to shake things upâon stage and in the studioâand Crooked Smile merges all the musical styles Stefanie has explored. âI think we found a way to allow the listener to hear the song as a well-crafted piece while also creating a sonic landscape they can lose themselves in. I wanted the guttural, genuine feeling evoked by lo-fi sounds, while still making conscious, deliberate choices around sonic expansion and contraction. I think thatâs how we experience lifeâas a combination of murky confusions and recognized clarity. I knew we could bring that dichotomy to a CD and it would make sense because itâs how we really feel.â

Stefanie Fix performs regularly as a solo artist as well as with her full, studio band in the Austin area.