This is the greatest album ever made. Cathy Richardson is a gorgeous, sexy genius and if you buy this, you will be, too.

18 MP3 Songs
ROCK: Roots Rock, ROCK: Folk Rock



Details:
Delusions of Grandeur 2006 Record of the Year
Bullz-Eye.com

Here it is, my 2006 record of the year. That's right, I know other artists on big labels have released some interesting stuff this year, but for my money, the divine Ms. Richardson and her latest effort on her own little independent label is the strongest complete piece of art to come out this year.

For the uninitiated, Richardson is a singer/songwriter from Chicago who has built a reputation as a passionate performer and one hell of a live act. She also has taken her fabulous pipes and been the voice of Janis Joplin in two separate productions of "Love, Janis," including a stint that is just wrapping up in San Francisco where she alternates nights in performing the musical side of the blues/rock legend. Ms. Richardson has come an awful long way as an artist since 1993 debut disc, Moon, Not Banana. Beginning with 2001's Buzzzed EP and continuing with 2003's The Road to Bliss to the current release, Richardson has evolved as a songwriter and talented producer.

Delusions of Grandeur is bigger and deeper sounding than The Road to Bliss in that there are cellos, string arrangements, and the Chicago Children's Choir. Not all songs have these elements, but a good chunk of them do. Although Cathy's sense of humor is present here and there, this is a much more serious record than Bliss. Thematically, the record is mostly focused on loneliness and loss ("Ain't No Home," "A Phone Call to Joe Quinn," "Things Are Different" and "Fool's Regret"). She throws in a bit of spirituality on "G.O.D." and even offers us a laugh about wanting some of the neighbor's home grown pot in the reggae-tinged "Closet Cultivator".

Having the ability to wrap her voice around a song in whatever the necessary format, be it country twangish, gospel, or singing from the depth of her soul, Richardson knows how to deliver the appropriate vocal performance. She restrains that powerful instrument when necessary, as in the moody "Ain't No Home," and unleashes it for "Two Questions" and parts of "Overwhelmed," the best track on an outstanding disc.

In 2004, The Road to Bliss was nominated for a Grammy in the Best Recording Package field for its very unique design, in which the jacket folded out into a dashboard. Delusions follows that blueprint in that the inner portion of the packaging when unfolded displays the inside of a beautiful theatre. The outside of some of those same panels display that same theatre in the future, closed and graffiti-riddled. The liner notes contain the lyrics to the songs but also share little vignettes and stories, as if the album is a musical. The entire thing is a complete piece of art with complete attention to detail. The music, the production, the packaging are all incredibly well done.

Aimee Mann and Shelby Lynne are incredibly talented songwriters who make me run out and buy their new releases regardless of what has been written about them. Cathy Richardson has now moved into that neighborhood.

R. David Smola



Cathy Richardson
Entertainment Ave. (entertainmentavenue.com)

Upon my first listen to "Delusions of Grandeur," the follow-up CD to Cathy Richardsonâs Grammy nominated "Road to Bliss," my first thoughts went along the lines of "Maybe I missed something, but I think I prefer my Cathy rockinâ a little bit more. This CD seems a little bit more melancholy, laid-back. Iâm not really sure if Iâm liking it." So I listened to the CD again, paying a little more attention since I was stuck in the dude-mobile on my way to Ohio, but I was still kind of daydreaming. Then the song "Things Are Different" started, the bridge of the song hit, and I was snapped back into my liking most everything by Ms. Richardson, rockinâ or laid-back. I finished the song, bounced back to the first track, and paid a lot bit more attention, still stuck in the dude-mobile, somewhere in Indiana, and began to like the CD a little more and more with each listen.

So listening to "Delusions of Grandeur" a few more times, I have begun to recognize many gems of songs that I missed that first time through. Of course there is the song, "Things Are Different," the song that snapped me back into Cathy Richardson reality. Itâs a ballad-styled song, with a great line in the bridge â "Time erases faces, changes hearts and minds and dreams," and is sort of reflective song at someone you remember from your past whom youâd like to show how your life is now, and how they might have fit into it. Another is "Overwhelmed," a nice love song which kicks ass as the song wraps up. "I Donât Want Anything" is a song that starts off slow, and at first had me patiently waiting for it to turn into a rocking number, but it didnât, and you know what, after a few listens I didnât care anymore, because the song worked perfectly into a section of the lyrics â "And Iâm turning off my phone, âcuz when I sit here all alone I donât want hear how many times you didnât call." Cathy did this one right because it ends up being a nice, bluesy, reflection at a busted relationship.

The other song infecting my head sort of confuses me a little, because I have absolutely no idea why you might be growing a garden in your closet. The song is called "Closet Cultivator" and it sort of tells the story of a next-door neighbor in an apartment complex who seems to grow a nice garden, in a closet no less. Itâs got a slight reggae beat, which I think is also supposed to mean something, I just canât wrap my lips and breath around it. The neighbor seems to know what to do with a good seed, and the person in the song, who seems to have writerâs block, seems to think that by visiting her neighbor emitting a fragrant aroma, it will help break the block. I think there is more to this song, Iâll just have to study the lyrics a little more, I think. Sadly, or maybe happily, me and my neighbors don't share a common vent in our townhouse walls. Enough bad innuendo on my part, Cathy Richardson does a much better job with the innuendo in the song, and dammit, that bouncing beat is catchy.

But Cathy does do something else on this CD which I found just fantastic, and that is on the song "Two Questions." She took two questions, formed into lyrics, simply "Why are you such a drag? And why do you fuck me up every time you come around here?" and by repeating them differently, made a full-length song out of those questions. And it so works.

Cathy Richardson, for "Delusions of Grandeur," slips away from her rocker style and keeps things in a bluesy mode, almost gospelly at times, and seems to have gotten a jazz bug a little up her butt. I have to admit that I am not really a fan of jazz, which her song "The Sacred Relationship Between Humans & Plants" reminds me of, but I do understand where she is going with it, but I just didnât like it.

A couple of listens in I realized that Iâm really liking this new Cathy Richardson CD, even if the rockinâ isnât there. And once again she has teamed with Bill Dolan to create some great CD packaging outside of your standard "jewel box" when you buy the CD. My only recommendation is donât try to get the CD out of the packaging while you are driving, and Iâm not talking about the shrink-wrap. Buy it, youâll understand.

The CD comes packaged as a theatrical performance, with each song being a scene in a play on a grand stage. Explanations abound for each song, in the little playbill booklet included with the CD, the lyrics are there as well, and some of the songs make a little more sense with the stories that preface them. I have to admit that I didnât pay that much attention to the stories (Iâm sorry Cathy) in the booklet because Iâm not a reader type of person.

Anyway, for this review, Iâm going to kick the "Bonus Material" out of the equation, itâs five tracks of the same songs on the CD that have been re-done for language or editing purposes, and will ignore the first track, because itâs an "Overture" and I didnât like it. With that Iâm giving "Delusions of Grandeur" from Cathy Richardson an 82 on the Entertainment Ave! listenability scale. Iâm not a fan of "A Foolâs Regret" and "The Sacred Relationship" song, so Iâll leave it at that. But the rest have grown on me like a fungus, and itâs a good fungus.

Though not being rockinâ as much, this CD will probably grow on you if you give it a couple of listens. Sometimes you need to do that. I did, and Iâm glad.

Thatâs it for this one! Iâm The Dude on the Right!! L8R!!!

Martyrs at Martyrs'
Chicagoist (Chicagoist.com)

Chicagoist was out at Martyrs' last night for the launch of the Chicago Music Commission, which kept the focus not so much on the "commission" but on the "music." The soft-sell approach was probably best considering the crowd of "extras from High Fidelity" (in the word of one Chicagoist writer), ex-hippies and others with nothing better to do on a Tuesday night. It was a night to "solidify the base" as political consultants like to say.

So when headliner Cathy Richardson took the stage, she became the first artist that night to own the stage as she seduced and then broke the crowd's heart with her too-short set. While comparisons to Lucinda Williams are inevitable, Richardson's act is not a pose. Like the best musicians, she gives a part of herself every time she performs. The highlight of the evening was her thundering rendition of the Beatles' "Oh Darling!" with Levy sitting in on keyboards. In fact, it was probably the best advertisement the CMC could hope for: a reminder that the pool of talent in Chicago is wide and ever-present but shouldn't be taken for granted.

--Scott Smith