Warm, analogue- driven electronic popsynth with a gaydisco sensibility with elitist appeal.

6 MP3 Songs
ELECTRONIC: Pop Crossover, POP: New Wave



Details:
"Cuts Both Ways":THE MAXI-SINGLE, is the second release from Wedlock on Kounterfeit Records.Wedlock came about through a songwriting meeting and subsequent songwriting collaboration between founding members Paul Allgood and Jeff Hathway.
Allgood, who is also a novelist, "An Inextricable Tale,"-2006, first tried his hand at being a solo artist, recording demos with the likes of Atlanta-based producer Bill Hume and Funkadelics' session guitarist Bill Mims, a South Carolina native.Allgood even pursued his dream across the ocean,briefly attending a Polytechnic in south England before returning to the states,but still no record deal was in sight.
Hathaway, who is also a commissioned artist, had been playing keyboards even as a child and to earn extra money would perform demonstration pieces on the store's equipment at the local malls.He had a brief stint in college with a couple of short-lived Raggae bands, but found his niche in studiowork.He produced soundtrack pieces for networks like CNN and the The Learning Channel before striking out to do his own unique brand of German-influenced popsynth.
Shortly after the release of "Matrimony"in August of 2006, Wedlock began seeking remixers for the "Cuts Both Ways" single as well as players to perform live in support of "Matrimony."After being rejected by various remixers like EDM, and several other local musicians, Anode Glow keyboardist Jj Kidder, who hails from Minneapolis, answered an online ad.After Kidder heard the material from "Matrimony" he was "intrigued" by the project, and offered to do a remix of "Cuts Both Ways." From that point on, Kidder and Allgood got on especially well and Kidder eventually joined the group.
Wedlock will release "Audioseptic" on Kounterfeit Records in late May and are preparing to do live shows in support as a four-piece full on electronic band.