MP3 Al Casey - The Return Of The Green Gretsch

Features great 50's / 60's Guitar Instrumentals, some with a Twangy Guitar sound and others are rockin', jazzy and mellow.

21 MP3 Songs
ROCK: 60's Rock, ROCK: Instrumental Rock



Details:
AL CASEY: The Return of the Green Gretsch

âAl Casey, at 21, is regarded in the music trade as one of the best guitar players in the country.â
-- The Arizona Republic, June 1, 1958.

Alvin W. âAlâ Casey will go down in history as the author of âRamrod,â the greatest Rock and Roll guitar instrumental ever. He also was one of the top studio session musicians of 1960s Los Angeles, and his fingerprints are all over smash hits by The Beach Boys, The Association, Nancy and Frank Sinatra and Nilsson. He was a master of all styles, as relaxed with a raunchy surf-rock riff as a sophisticated jazz standard.

Al was a point of civic pride for Phoenix, Arizona, his home and base of operations for much of his life. He was one of the Southwestern desert cityâs seminal rockers. He was just a kid when he starred as the steel guitar prodigy of The Sunset Riders, the most popular Country & Western band in town and stars of the Saturday night âArizona Hayrideâ series at the now-demolished Madison Square Garden arena in downtown Phoenix. He was present at the birth of Phoenix Rock and Roll, contributing the hypnotic rockabilly guitar line to Sanford Clarkâs Top 10 1956 hit âThe Fool.â When Duane Eddy made twang an international commodity, Al was there, too, writing and co-writing Eddyâs hits âRamrodâ and âForty Miles of Bad Road.â He also provides the classic twang to Jody Reynoldsâ âEndless Sleep.â As a solo artist, Al had a number of awesome rockabilly releases on local Phoenix and national labels that didnât do much chart damage, but record collectors, music scholars and others with good taste cherish them today. He eventually made some commercial progress with âSurfinâ Hootenanny,â his 1963 contribution to the surf boom and a No. 48 Billboard hit. (The song was much bigger in the influential L.A. market.) Heâd previously had some chart action in 1962 with The Al Casey Comboâs âCookinââ (No. 92) and âJivinâ Aroundâ (No. 71). âGuitars, Guitars, Guitars,â Alâs follow-up to âSurfinâ Hootenanny,â bubbled under at No. 116. But Alâs ultimate impact on American popular music of the 1960s would come through his session work, and he played on too many classics to list here.

Before his Sept. 17, 2006, death at age 69, Al completed work on his final album, The Return of the Green Gretsch, named for a favorite guitar. He did it his way and was excited about the way it turned out. Purists will be pleased to find the big twangy guitar sound that Al helped popularize is alive and well. The opening cut âTemptationâ blasts the set into orbit, propelled by the twangy tones of Alâs guitar. âStingereeâ and âHokus Pokus,â a surprising twist on âThe Hokey Pokey,â vividly recall Alâs rockinâ days in Phoenix. Other tracks find Al in a mellower, jazzier mood, and provide the perfect soundtrack for late-night cocktail enjoyment. The collection includes Alâs version of his instrumental composition âT.O.M. (The Old Man).â Lee Hazlewood, Alâs longtime musical collaborator, added lyrics for the rendition on his own swan-song album, Cake Or Death.

The Return of the Green Gretsch also marks Alâs reunion with Ramco, Floyd Ramseyâs record company that originally released The Al Casey Comboâs hit âCookinââ back in 1961. The label is a legendary local music institution, formerly a division of the Ramsey-owned Audio Recorders of Arizona, where Al worked on an untold number of studio sessions back in the day. This is the first official Ramco album release since 1968.

As a special salute to Al and a treat for his fans, The Return of the Green Gretsch is augmented with nine audio treasures, four from past local sessions and five found deep within Ramcoâs vaults. Among these are Alâs vintage interpretations of Frankie Laineâs memorable âJezebelâ and The Strangersâ West Coast favorite âThe Caterpillar Crawl.â A 1999 recording of âZiggieâs Blues,â named for the landmark central Phoenix music store where Al taught guitar lessons for years, rounds out the package.

The Return of the Green Gretsch is a fitting capstone to the career and legacy of one of the most innovative and talented guitarists of our time.

DAN NOWICKI
PHOENIX, ARIZONA, U.S.A.
MARCH 2007

Billboard magazine chart positions from Joel Whitburnâs Top Pop Singles 1955-1990 and Joel Whitburnâs Bubbling Under Singles and Albums, 1998 edition.

CORRECTIONS/ADDITIONS:
I wanted to make a couple of corrections that were missed in the booklet information. First of course, is the correct spelling of "Nuages." Sorry Django! Second is that Mike King played the bass, not Pete King. Sorry Mike! You should also know that Clarke Rigsby wrote "Calmez Hotel" especially for his friend Al.

Here is the song writer information for you also:

1. Temptation (Brown - Freed)
2. Calmez Hotel (Clarke Rigsby)
3. Fair And Cloudy (Al Casey)
4. A Mellow Riff (Al Casey)
5. Remember The Minuet (Al Casey)
6. Hokus Pokus (Al Casey)
7. Melancholy Serenade (Gleason - Enston)
8. September Song (Anderson - Weil)
9. T.O.M. The Old Man (Casey - Hazlewood)
10. Stingeree (Al Casey)
11. Nuages (Reinhardt - Williams)
12. Uptown Blues (Al Casey)
13. Ziggie's Blues (Al Caey)
14. In The Garden (P.D. Arr. Al Casey)
15. Amazing Grace (P.D. Arr. Al Casey)
16. Thundercloud (Casey - Reynolds)
17. Swamp Water (Casey - Reynolds)
18. Allen Case (Al Casey)
19. Drivin' (Casey - Reynolds)
20. Jezebel (Shanklin)
21. The Caterpillar Crawl (Lynch - Hill)

As always thank you for your support!
John P. Dixon
Office Boy