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MP3 Boston Pops Orchestra - Oscar & Tony

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  1. play button
    Main Title from My Fair Lady
  2. play button
    Overture to Lawrence of Arabia
  3. play button
    All That Jazz from Chicago
  4. play button
    Overture to Around the World in 80 Days
  5. play button
    Immolation from Schindlers List
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    Main Theme, Fountain Theme and Chez Maxim Waltz from Gigi
  7. play button
    Overture to The Producers
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    My Heart Will Go On from Titanic
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    Prelude to Ben-Hur
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    Overture to The Phantom of the Opera
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    A Storm is Coming from The Lord of the Rings
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    Chim-Chim-Cheree from Mary Poppins
  13. play button
    Overture to How to Succeed in Business Without Really Trying
  14. play button
    Main Title from The Sound of Music
  15. play button
    Love Theme from Out of Africa
  16. play button
    42nd Street from 42nd Street

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Description:
The preeminent music ensemble in the United States who perform light-classical, Broadway, Motion Picture Soundtrack, and popular music.

16 MP3 Songs
CLASSICAL: Film Music, EASY LISTENING: Show Tunes



Details:
BSO founder Henry Lee Higginson had proposed this new series in the hope of re-creating the ambiance of summer evenings in Viennese concert gardens, while also providing summer employment for the members of the Boston Symphony, who at that point had to search for other work six months out of the year. In 1900 these performances officially became Pops (short for âPopularâ) concerts.

For the next 45 years, Boston Pops concerts were led by conductors of European background. In 1930, however, that trend came to an end. Arthur Fiedler, a BSO viola player, led the Pops as a replacement during the 1926 season, following the resignation of conductor Agide Jacchia. After that success, Fiedler asked to be named the permanent conductor, but management chose Alfredo Casella instead. Undaunted, Fiedler organized and conducted a series of free outdoor concerts, thus inaugurating the Esplanade Concerts (which were eventually taken over by the BSO). Following Casella's departure, the BSO offered Fiedler a three-year contract beginning with the 1930 Pops season.

Arthur Fiedler led the Boston Pops until his death in 1979, transforming the organization into a national institution in America, a musical ambassador abroad, and the most-recorded orchestra in the world. Regular radio broadcasts and the PBS television series âEvening at Popsâ began during his tenure.

By the time John Williams was appointed Boston Pops Conductor in January 1980, he was the worldâs best-known film composer. He also had an enviable classical training, had worked as a jazz pianist, and had arranged albums for popular artists. He brought to the podium the background, talent, and celebrity to succeed at a daunting assignment. He both broadened and updated the Pops repertoire, writing and commissioning new compositions while also introducing arrangements of recent popular musicâsuch as film scoresâthat would be suitable for orchestral performance. He maintained the popularity of âEvening at Popsâ and led a series of best-selling recordings.

At Christmas 1991, John Williams announced that he would step down as Conductor at the end of 1993, at which time he assumed the title of Laureate Conductor. He also agreed to serve as Music Advisor while the BSO again took on a seemingly impossible taskâfinding someone to succeed him. Keith Lockhart, the twentieth Boston Pops Conductor and only the third since Arthur Fiedler, was appointed in February 1995.

Under Keith Lockhart, the orchestra has dramatically increased its touring activities, performing in concert halls and sports arenas across the country. The Pops received its first Grammy nomination for âThe Celtic Album," and "The Latin Album" received a Latin Grammy nod. In 2004 the orchestra released âSleigh Ride,â its first self-produced recording. The perennially popular July Fourth concert is now telecast nationally on CBS. New programs such as Jazzfest and Edgefest showcase artists from different musical worlds and attract an even wider audience to Boston Pops concerts in the 21st century.


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