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This reissue of the ultra rare Norwegian metal is strongly influenced by such artists as Yngwie Malmsteen, MSG, TNT, and modeled after classic twin guitar bands of the 70s and early 80s like Judas Priest,Barren Cross, and Iron Maiden. 12 MP3 Songs METAL/PUNK: 80's Metal, METAL/PUNK: Power Metal Details: The band was originally called REVELATION and was formed in the fall of 1985 in Kristiansand, NORWAY. One listen and itâs apparent that the band was strongly influenced by such artists as Yngwie Malmsteen, MSG, TNT, and modeled after classic twin guitar bands of the 70s and early 80s like Judas Priest and Iron Maiden. After recording two demos between 1987 and 1988, the band was well received in their hometown of Kristiansand and the band did. Receiving local radio play in Oslo resulted in the band getting signed by the local office of the Dutch label CNR. The full length debut CD Messengers of Love was subsequently recorded in July/August of '88 at Loud Level Studios in Hamar, Norway, and due to a name conflict with another band on the label, the band changed its name to SEVENTH SEAL. However, when presented with the finished product, the label gave the band a cold shoulder and never released it. Trying to push on despite the let down by the label, the band stayed active on the live front until the summer of '89, and the studio eventually decided to release the album on its own label, Loud Level Records, but not until 1990 after the band had already disbanded. The record was never properly promoted, and only about 1000 copies were ever released. Retroactive Records thrives on being able unearth some hidden treasures. Messengers of Love easily qualifies as a Norwegian metal masterpiece. Complete with twin guitar attack, Yngwie-styled guitar solos, and soaring vocals in the vein of Sacred Warrior and Geoff Tate of Queensryche, the remastered reissue of this ultra rare 1990 progressive metal release is sure to please metal fans across the globe. KEY SELLING POINTS **Digitally mastered **For fans of Sacred Warrior, Yngwie Malmsteen, MSG, TNT, Iron Maiden **Fans of this genre are extremely loyal and dedicated to bands in the genre **Features a track on the promotional compilation HEADBANGINâ 101 **Full radio/advertising campaign **Features track on the Heavenâs Metal Magazine subscribers compilation **Original release has been out of print for 17 years. **First time released in the USA track list: Messengers of Love (5:00), Fantasy (2:13), Revelation â God Has the Power (4:46), Your Love (6:00), Free (3:22), Sparkling Diamond (4:21), The Seventh Seal (1:28), Visions of Tomorrow (4:22), Born Again (4:40), Break Out (4:39), Eternal Love (3:58), The Calling (4:41) www.angelicwarlord.com review Getting started in 1985 while initially under the name Revelation, Norwayâs Seventh Seal was founded by the talented guitar team of Geir T. Ugland and Geir Knutson. After spending the next several years in rehearsal, the band recruited American born vocalist Mark Bjorvant in early 1987 prior to recording its first demo tape and making its debut live performance the summer of the same year. A second demo was put together in the spring of 1988 with the resulting airplay leading to a contract with the Dutch label CNR. However, when it was discovered another band on the label was also using the moniker Revelation a permanent name change was made to Seventh Seal. Seventh Seal proceeded to record its full length debut, Messengers Of Love, in July/August 1988 at Loud Level Studios in Hamar, Norway but CNR, for reasons unknown, refused to release it. Undaunted, Seventh Seal pressed on and continued to play live shows until the summer of 1989 when the studio decided to put out the album on its own label, Loud Level Records, a year later. By this time Seventh Seal had broken up, and the subsequent release of Messengers Of Love received little in the way of promotion with only 1000 copies being pressed. The good news to report, on the other hand, is that Messengers Of Love â an out of print and hard to find collectors item for years â was re-issued in mid-2007 by Retroactive Records. Seventh Seal, as one would expect, reflects the musical trends of the decade it came out of, combining elements of melodic metal, melodic rock and neo-classical metal to create a sound certain to appeal to fans of other Northern European bands such as Leviticus, Motherlode, Emotion and TNT. Yngwie Malmsteen and MSG must be mentioned as well along with Stryper, Dokken, Siloam, Holy Soldier and Impellitteri. The influence of the previously mentioned acts can be found in up-tempo numbers such as the hook driven âMessengers Of Loveâ, the edgy âGod Has The Powerâ and âFreeâ (a song that has Stryper written all over it) in addition to the neo-classical flavorings of âVisions Of Tomorrowâ (a stunning piece), the catchy âBreak Outâ and album closer âThe Callingâ. Some of the finest moments to Messengers Of Love, nevertheless, take place on its ballads in that âYour Loveâ, âSparkling Diamondâ and âEternal Loveâ all stand out with notable melodies. The talent level of Seventh Seal is without question. Vocalist Mark Bjorvant, with his high end and classic tenor lead vocal style, is a near dead ringer for Sonny Larsson (Motherlode, XT). Other accurate comparisons might be Lee Guthrie (Siloam), Tony Harnell (TNT) or even Mikael Lagermo (Emotion). In the end, what we have is a guy with near unlimited range who cuts loose with more than his fair share of high pitched falsettos. And that is a very good thing. Guitarists Geir T. Ugland and Geir Knutson bring the same high level of ability. When listening to the dual lead work of the two on âMessengers Of Loveâ, âGod Has The Powerâ, âVisions Of Tomorrowâ and others I am reminded of Malmsteen, Chris Impellitteri, Rex Carroll (Whitecross) and Carl Johan Grimmark (Narnia). Yes, the quality is that high. Production values are competent but would have improved with an element of big budget polish. No, nothing that will detract from your listening experience, but I cannot help but think things could have been beefed up in places (such as the albums low end). Obviously a low budget project, my overall feeling is that I am thankful to have the opportunity to hear this for the first time. Messengers Of Love proves a very bold and upfront Christian effort with a lyrical direction capturing the spirit of the White Metal movement that got its start in the mid-eighties. The albums title track opens to a brief hint of vocal harmonies before transitioning to the energetic guitar riff that holds sway over its verse portions in up-tempo fashion. Maintaining the vibrant momentum, âMessengers Of Loveâ moves on to a non-stop hook filled chorus that will pull you in and refuse to let go. A riveting dual lead guitar trade off brings out the best in a song that is aptly named: We are messengers of love, thatâs what weâre here for And we hope to make you see what Godâs about âCause weâre His messengers of love, thatâs what we live for And thereâs a battle for your mind So never let go! Donât let go! âFantasyâ is a short (2:13) instrumental shored up its distance by keyboards and slowly (but emotionally) played guitar. The symphonic flavored introduction to âGod Has The Powerâ gives way to a forward mix of rhythm guitar. Charging ahead with a deluge of resolve, the song culminates for a euphonic chorus talking about opening your heart to Godâs love: God has the power To fill your heart with joy Receive his love and you will never die God has the power To give you all you need Just open up your heart A sweeping instrumental section highlights more flashily played lead work. âYour Loveâ, the first of the albums three ballads, begins to a blend of acoustic guitar and guitar feedback. Advancing through its verse portions acoustically, impetus is gained as the song breaks out for a poignantly delivered chorus backed by just the right amount of ardent rhythm guitar. All in all, the emotion and power of âYour Loveâ brings to mind Holy Soldierâs âThe Pain Inside Of Meâ (off the bands self-titled debut). Initiated by vocal harmonies, âFreeâ takes off at an upbeat tempo only to taper off as a muscular rhythm guitar fortifies its first verse hard and heavy. The compelling chorus that ensues is accentuated by an even trace of keyboards. This one proves uncannily similar to Stryperâs âFreeâ (from To Hell With The Devil) in terms of not only the music but lyrics as well: âCause youâre free Free to make your choices You are free to take a stand Free to single out the voices Your are free to take a stand The ballad âSparkling Diamondâ commences to a short stretch of rhythm guitar only to settle down to a quietly played guitar line upon reaching its first verse. The rhythm guitar returns in time, however, to drive a stylish chorus in which Bjorvand showcases the abundant range to his voice. âSparkling Diamondâ represents a synonym for God: Canât you see the sparkling diamond? Just waiting to be touched It will forever shine And purify your soul Canât you see the sparkling diamond? âThe Seventh Sealâ, coming in at just a minute and a half, features narration from the book of Revelation carried over keyboards. The drum solo at the start of âVisions Of Tomorrowâ is soon replaced by a symphonic based riff. Moving through its first verse with the rhythm guitar maintaining a forward place in the mix, the song makes an even transition to a chorus in which a majestic environment is put into place. Another lengthy stretch of neo-classical influenced lead guitar helps make this one of the albums better tracks. âVisions Of Tomorrowâ maintains the apocalyptic themes started with âThe Seventh Sealâ: And in the last days it shall come to pass That the Kingdom of God rules the earth And they shall beat their swords into plowshares Take head and behold! These are visions of tomorrow The days when the Lord puts an end to all the sorrow All has been foretold by Godâs prophets for tomorrow When Jesus will be King for a thousand years âBorn Againâ jumps out of the gate in quickly moving fashion, sustaining the stalwart initiative during its verse portions prior to obtaining a vibrant chorus dealing with the salvation experience: Born again, weâre meant to be born again As children of God to belong to His family Born again, weâre meant to be born again In bodies of spirit weâll be⦠A run of blazing dual lead work sustains another extensive instrumental section. âBreak Outâ starts to a hard hitting guitar riff prior to picking up in pace and proceeding through its verse portions at the more determined tempo. Briefly pausing, the song smoothly makes its way to a brief but catchy chorus with a hook of the abundant variety. I enjoy how âBreak Outâ tapers off during its instrumental section to a joining of pounding drums and guitar feedback (similar to Rage Of Angels' âAre You Ready For Thunder?â). Several relevant questions are asked here: Runninâ with the night Why donât you see the light? Runninâ with the night When will you start to fight? âEternal Loveâ brings the same high quality as the albums other ballads, âYour Loveâ and âSparkling Diamondâ. An emotional atmosphere is put into place the duration of the song as a melodic based chorus (bolstered by a crisp rhythm guitar) is combined with a very moving vocal performance from Bjorvant. âEternal Loveâ talks about the search for exactly that: You search for something real Something you can feel Something that will still your souls desire And set your heart on fire In front of Godâs face, awaits a resting place Take your chance tonight, and you wonât lose your fight âThe Callingâ gets underway to a drum solo before launching into a driving guitar riff, a superfluity of energy generated as the way is paved for an extended chorus standing out as a result of its palatial feel. Ugland and Knutsen put on a virtual clinic with another display of their trademark radiant lead guitar work. A strong ending to a very fine album. Review by: Andrew Rockwell Track Listing: âMessengers Of Loveâ (5:00), âFantasyâ (2:13), âGod Has The Powerâ (4:46), âYour Loveâ (6:00), âFreeâ (3:22), âSparkling Diamondâ (4:21), âThe Seventh Sealâ (1:28), âVisions Of Tomorrowâ (4:22), âBorn Againâ (4:40), âBreak Outâ (4:39), âEternal Loveâ (3:58), âThe Callingâ (4:41) Musicians Mark Bjorvant â Lead Vocals Geir T. Ugland â Guitars & Bass Geir Knutson â Guitars & Bass Trygve Hansen â Drums Guest Musicians Sjur Lundstein - Keyboards in partnership with CDbaby User tags: Votes: Reviews: Review it! (This product has no reviews yet) |
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