From Psychedelic, Garage and No Wave to a slightly off kilter Americana, Crazy Mary will make your whole body shake incontrollably

13 MP3 Songs
ROCK: Psychedelic, ROCK: No Wave

Show all album songs: Nuclear Lipstick Songs


Details:
Crazy Mary carries the flame for a time when downtown Manhattan was at its post-punk apex â gritty, smart, artful, edgy and sexy, before its soul was taken over by corporations and developers. But true to the ideals of the era from which they emerged, the band remains fully engaged with the modern, eschewing sentimentality and nostalgia. Their new album, Nuclear Lipstick, carries their music forward (with new members) and keeps their mélange of psychedelia, world/tribal music and Velvet Underground inspired no wave very much alive and well.

Crazy Mary began in 1998, founded by guitarist and songwriter Charles Kibel, a veteran of the Lower East Side rock scene. With five studio albums to their credit (and two remix albums), the band has enjoyed extensive college radio play, favorable reviews in the New Yorker, the Boston Globe, the Village Voice. In addition, theyâve played several festivals, including CMJ, the Howl Festival, the EST fest and others.

But the real stories of Crazy Mary circa 2008 are new full time members Em Z on lead vocals and especially Walter Steding on fiddle, and the impact theyâre making on Crazy Maryâs sound. The Australian native Em Zâs intense and driving vocals have brought a new dimension to the band. And Steding, who has been contributing to the band since 2002, has now become a full time member, bringing the full depth of his talent, experience and pedigree to the band.

Introduced to the band by Blondie founder Chris Stein, Steding was a pioneer of the No-Wave movement in the late 70âs, the leader of the TV Party Orchestra, Glenn OâBrienâs TV-show house band, in addition to recording with luminaries such as Robert Fripp and Jim Carroll. A solo artist in his own right, Steding was managed by Andy Warhol, for whom he worked as a painting assistant from 1980 up until Warholâs death in 1987. Warhol produced Stedingâs solo album, thereby earning Steding the distinction of being one of the two artists Warhol ever produced â the other one being the Velvet Underground.

Steding brings an incredibly emotional style to the band, and his term for the way his style of playing is âhand diatonic glissando,â a way of sliding into the notes on his fretless violin. As he explains, âI use every note in the scale and I hit every vibration â so I can cover the spectrum of both western and world music. I try to play something that youâre familiar with but is also beyond the familiar.â

On Nuclear Lipstick, itâs obvious that Stedingâs style fits the band to a âT,â especially in songs like âAmericanized,â a self-described anti-war and anti-global imperialism song where Stedingâs fiddle runs run the gamut from the melodic to the atonal, reminiscent of John Caleâs viola work in the Velvet Underground. Produced again by Kibel, the album spans the gamut from full out rock to contemplative and dissonant instruments, and it encompasses the humor of âThat Same Old Feel Once Again,â Crazy Maryâs take on the classic âIâve Been Everywhereâ road song style of Johnny Cash and the wry observation of the heyday of the era of CBGBâs, the Mudd Club, Maxâs Kansas City in âThe Last Cool Scene.â And with poet and author Victor Bockris providing liner notes and legendary photographer Marcia Resnick contributing the photography, the band keeps the feeling and possibility of their scene continuing.

The band is eager for people to hear the new directions their music has gone. As Charles Kibel declares, âWe want to get the new album to as many people as we can. Weâre eager to perform it live. Iâm so excited about the bandâs new lineup â I feel like the material suits the new personnel the best it ever has.â On Nuclear Lipstick, Crazy Mary has found the right people to play the right songs at the right time, taking the band to a new level, with a spirit reminiscent of the times when art and music create something seminal.

Museâs Muse:
"Crazy Mary is like that Wonderful Brown Sauce you see entrusted to Chinese menus. You're not sure what the hell's in it, but it's a singularly strange, exotic and at times full moon taste that's hard to take a doggie bag on. You wanna turn to the next track and finish it all in one place."
Ben Ohmart

Aiding & Abetting:
"A wonderfully inventive and eclectic (you might think Iâm using that word too much, but Iâm not) band."
Jon Worley

CD Shakedown:
"Sorry, West Coasters. New York City continues to turn out the most interesting, challenging, experimental pop. And so it is with She Comes in Waves."
Randy Krbechek

Smother E-zine:
"Typically the better Indie rock bands have the kind of sound thatâs hard to nail down in a description. With that said who the hell knows how to describe Crazy Mary."
J-Sin

Nefarious Entertainment Magazine:
"I reviewed three CD's from Crazy Mary & I loved all of them!!"
Kas Walters

Museâs Muse:
"Crazy Mary reminds us that it's truly amazing what talent and cleverness can accomplish."
Mark Kirby