MP3 Main Line Riders - Shot In the Dark
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Anthemic hooks, cleverly mixing snarl and attitude, the band has no problems paying homage to their musical rabbis, AC/DC, G-n-R, and Skid Row, while appealing to fans of modern day bands Buck Cherry, The Showdown, and Avenged Sevenfold.
10 MP3 Songs
METAL/PUNK: Pop-Metal, METAL/PUNK: Hair Metal
Show all album songs: Shot In the Dark Songs
Details:
Check out all the metal titles we have through CDbaby: www.cdbaby.com/all/brutalplanet
ABOUT THE ALBUM
The Texas based Main Line Riders is the type of band whose fans go to their concerts and afterwards they all hang around, sweaty and smiling, talking about how Main Line Riders is the next great rock band. They canât be blamed. When you see MLR, you get the feeling you've discovered something really amazing and special, and you're "in" on it just before the rest of the world catches on.
Well, consider this your warning, Rock and Roll has returned, not with a whimper, but with a resounding hinge crushing, door smashing kick. As if they were poised and ready to take over Sunset Strip in the late 80âs, Shot In the Dark provides a healthy dose of classic rock jams that never cease to please. With every song employing huge, anthemic hooks, cleverly mixing snarl and attitude, the band has no problems paying homage to their musical rabbis, AC/DC, Hanoi Rocks, Guns-n-Roses, and Skid Row, while appealing to fans of modern day bands Vains of Jenna, Buck Cherry, and Poets & P*rn Stars.
MLR appeal is in no small part to vocalist, Mikey Mayhem, whose vocals give a nasty attitude and confidence that matches the intensity of the music, not to mention helping the band fulfill (and even exceed) their immense potential with their debut release. Shot in the Dark is full of brilliant moments, all held together by heavy harmonic riffs blasting from the guitars, and âThrowinâ Bonesâ boasting a guitar solo that would make Stryperâs Oz Fox grin.
Shot in the Dark is the aural thunderclap that is The Mainline Riders brand new record, an unapologetically anthemic hard rock album, with 9 shout-along, swaggering rockers. No matter how you like your rock served up, The Main Line Riders dish it with delight, and you'll be wolfing it down and demanding more.
KEY SELLING POINTS
**Band members spent over 10 years touring in professional band.
**High production values
**Digitally mastered
**For fans of AC/DC, Hanoi Rocks, Guns-n-Roses, Veins of Jenna, Buck Cherry, and Poets & Porn Star.
**Full radio/magazine advertising campaign
**Features track on the Heavenâs Metal Magazine subscribers compilation
**Band has active My Space site
**Full 2008 nationwide tour in the works
**Artwork by renown artist, Caleb Olsen (X-sinner, Final Axe, Seventh Power).
WWW.ANGELICWARLLORD.COM REVIEW
Guitarist Cliff Powell (a.k.a. Cliffy Huntington) got his start in the mid-nineties with the Ramones influences punk rock band The Huntingtons. Parting ways with The Huntingtons in 2001, âCliffyâ joined The Stivs later the same year, a Portland, Oregon based unit that merged elements of rock and roll and punk. The Stivs went on to fall apart in early 2006 at which point Cliffy developed a vision to form his first evangelistic band. The end result was Main Line Riders. A group originating from Houston, Texas, Main Line Riders put together its initial line up in 2006 and, after writing and rehearsing over the next year, recorded its full length debut, Shot In The Dark. The album was shopped around to several labels until the band settled on Retroactive Records, which released it in the fall of 2007.
What Main Line Riders delivers on Shot In The Dark is a throwback sound to the eighties, a decade in which âhair metalâ and âglamâ â and all the layered choruses and hooks, hooks and more hooks inherit to the era â ruled supreme. Specifically, the guys give us a late eighties sunset strip sleaze style of hard rock inviting comparison to early LA Guns, Faster Pussycat, Guns Nâ Roses, Junkyard, Hanoi Rocks, Kix and at times even AC/DC. On the Christian side of the fence, the only band to approach this might be Bombs Over Broadway era Squad 5-O, although fans of X-Sinner, Guardian (with Jamie Rowe on lead vocals), early 90s Bride and Rage Of Angels should find Main Line Riders to appeal to their taste.
What stands out most about Main Line Riders is its youthful and infectious energy. Shot In The Dark, for example, is built upon a foundation of up-tempo hard rockers such as âRide The Main Lineâ, âOne Way Ticket To Loveâ, the aptly entitled âPack Up Your Bluesâ and âTime To Put The Hammer Downâ (one of the heavier pieces here). If an abundance of radio friendly hooks happens to be your cup of tea, then look no further than âSpeed Queenâ (a real raucous track), âThrown To The Bonesâ, the catchy âWalk Aloneâ and mid-tempo muscle of âWe Are The Ready Onesâ. When the band chooses to lighten up on the mood, on the other hand, it can also deliver a very fine ballad in âHere I Amâ. Closing out the album is one of its treats, a cover of the old Junkyard tune âShot In The Darkâ (from the bands 1989 self-titled debut).
Lead vocalist Mike Mayhem brings just the right amount of sass flavored attitude with his gritty, mid-octave vocal style (an element which perfectly complements the âmetal swaggerâ exuded by this brazen five piece unit). Joining Mike is the guitar team of Cliffy and Blackway. The two adorn the full length of the album with their staunch and energy-laden riffs, while Cliffy lead work proves to be of the gut-level and bluesy variety- something he best demonstrates on âPut The Hammer Downâ, âOne Way Ticket To Loveâ and âPack Up Your Bluesâ. Tight but driving would be the best way to describe the rhythm section of bassist PJ and drummer Josho.
Production values, capably handled by Caleb Keiter, come across on the crisp and clean side of things.
The album gets underway with three top of the line hard rockers in âRide The Main Lineâ, âOne Way Ticket To Loveâ and âThrowinâ Bones To The Wolvesâ.
âRide The Main Lineâ begins, appropriately, to the sound of a train barreling down the tracks. Once the rhythm guitar takes over, the song moves forward to a plethora of up-tempo momentum only to erupt for a chorus of the non-stop and hook filled variety. âRide The Main Lineâ talks about getting on the correct path of life:
Fire's lit, the coals are burnin'
Full steam takin' us away
We got what you been searchin'
But you got to ride this train
You know I was just like you are
Wastin' time just to get me high
âOne Way Ticket To Loveâ starts to a blend of hammering guitar riffs and pummeling drums. The song maintains the bottom heavy demeanor throughout its first verse, not culminating until achieving a lively chorus with the allure to pull you in and refuse to let go. Cliffy adds to the ardent scene with a stretch of gritty lead work.
A pounding rhythm guitar also initiates âThrowinâ Bones To The Wolvesâ. The song puts in place an energetic environment its remaining distance, amalgamating a catchy chorus with a momentous rhythm guitar sound the likes of AC/DC and X-Sinner are best known for. You have to enjoy the snap and snarl Mike Mayhem adds to his vocal delivery as well. Finding peace of mind is the subject matter here:
I was a restless dog
You were a wanderin' song
We was too far gone
Gettin' lost in the streets
Another cause for the city police
Take time to find your piece of mind
Cuz you sure won't get it for free
Beatin' on your doors
Breakin' down your walls
Throwin' bones to the wolves
âHere I Amâ, the albums lone ballad, opens acoustically, drifting through its first verse and chorus prior to picking up in pace as the rhythm guitar steps forward. Moving ahead at the faster tempo, the song repeats its emotionally charged chorus in the more determined manner. A bluesy guitar solo is added to a track which can best be described as a good old fashioned love song:
I love the taste of your lips
I still remember our first kiss
It was a long time ago
But it seems like yesterday
When I said i love you
You know I meant forever
Hold me close now, baby
Here I am
Immediately kicking in at an upbeat tempo, âSpeed Queenâ rollicks through its first verse in furious fashion to a storm of rhythm guitar. After evening out, the song moves on to an infectious chorus that comes across near commercial in capacity. If I were to choose one song from the album to play on the radio âSpeed Queenâ would be it.
âPack Up Your Bluesâ represents another song standing out with its up-tempo initiative. A three minute assault of choppy riffs and sledgehammer drums, this one takes a decisive chorus and backs it with the all out raw energy and exuberance the band brings to the table. Very well done spirited guitar solo from Cliffy as well.
âWalk Aloneâ fades in to a drum solo before the rhythm guitar establishes itself fixed and firm. The song proceeds to take off with an excess of resolve, pummeling through its forceful first verse and the tempestuous chorus that follows. Tenacious is the overall feeling I get here, particularly when considering, again, the bands energetic performance and the non-stop hook action. âWalk Aloneâ deals with an individual who chooses to make their own way:
With visions of redemption
I walk against the crowd
Feelin' bad is just a new sensation
Bet your bottom dollar
It cuts like a knife
All dressed up, I got nowhere to go, but
I walk alone
Chained to this stone now
In this small town
I walk alone
Must I live my days in these concrete ways
Several seconds of open air rhythm guitar introduces âPut The Hammer Downâ before it kicks into high gear. A bottom heavy feel is resonated as the song plows ahead, not culminating until reaching a catchy but driving chorus shored up by a trace of vocal harmonies. More fluid soloing from Cliffy (some of the albums best). âPut The Hammer Downâ deals with leaving the past behind:
Hear the rollin' thunder
See the pourin' rain
Feel the rumblin' motor
but I don't feel no pain
I never wanted to be president
I never wanna be a businessman
I never wanna do it your way
I'm comin' on like a hurricane
Time to put the hammer down
Rollin' down this dusty road
Sick of this old filthy town
Need no one to share the load
âWe Are The Ready Onesâ, the longest track here at 5:36, embarks as a heavy duty rhythm guitar stands in support of Mike Mayhemâs spoken word delivery. Transitioning to a few seconds of melodic guitar harmony, the song ambles at a gutsy mid-tempo clip before gaining impetus for a flowing chorus interwoven with a fixed swell of rhythm guitar.
As previously mentioned, âShot In The Darkâ was originally recorded by the LA strip band Junkyard. The song starts to an accompanying audience track before taking off to a screaming rhythm guitar. Pulsating through its first verse, âShot In The Darkâ creates a vigorous setting for a chorus talking about knowing when to make a brand new start:
Itâs just one more shot in the dark
And I'm tryin', tryin' to find my mark
And I lie, I swear to God I'll make a brand new start
And I lied too many times about my brand new start
But it's just one more shot in the dark
Blackway's tight as a nail work on lead guitar helps close the album in very fine fashion.
Review by: Andrew Rockwell
Track Listing: âRide The Main Lineâ (3:13), âOne Way Ticket To Loveâ (3:37), âThrowinâ Bones To The Wolvesâ (3:11), âHere I Amâ (3:03), âSpeed Queenâ (2:44), âPack Up Your Bluesâ (2:52), âWalk Aloneâ (2:44), âPut The Hammer Downâ (3:13), âWe Are The Ready Onesâ (5:36), âShot In The Darkâ (3:53)
Musicians
Mike Mayhem â Lead Vocals
Cliffy â Guitars
Blackkway â Guitars
PJ â Bass
Josho - Drums
10 MP3 Songs
METAL/PUNK: Pop-Metal, METAL/PUNK: Hair Metal
Show all album songs: Shot In the Dark Songs
Details:
Check out all the metal titles we have through CDbaby: www.cdbaby.com/all/brutalplanet
ABOUT THE ALBUM
The Texas based Main Line Riders is the type of band whose fans go to their concerts and afterwards they all hang around, sweaty and smiling, talking about how Main Line Riders is the next great rock band. They canât be blamed. When you see MLR, you get the feeling you've discovered something really amazing and special, and you're "in" on it just before the rest of the world catches on.
Well, consider this your warning, Rock and Roll has returned, not with a whimper, but with a resounding hinge crushing, door smashing kick. As if they were poised and ready to take over Sunset Strip in the late 80âs, Shot In the Dark provides a healthy dose of classic rock jams that never cease to please. With every song employing huge, anthemic hooks, cleverly mixing snarl and attitude, the band has no problems paying homage to their musical rabbis, AC/DC, Hanoi Rocks, Guns-n-Roses, and Skid Row, while appealing to fans of modern day bands Vains of Jenna, Buck Cherry, and Poets & P*rn Stars.
MLR appeal is in no small part to vocalist, Mikey Mayhem, whose vocals give a nasty attitude and confidence that matches the intensity of the music, not to mention helping the band fulfill (and even exceed) their immense potential with their debut release. Shot in the Dark is full of brilliant moments, all held together by heavy harmonic riffs blasting from the guitars, and âThrowinâ Bonesâ boasting a guitar solo that would make Stryperâs Oz Fox grin.
Shot in the Dark is the aural thunderclap that is The Mainline Riders brand new record, an unapologetically anthemic hard rock album, with 9 shout-along, swaggering rockers. No matter how you like your rock served up, The Main Line Riders dish it with delight, and you'll be wolfing it down and demanding more.
KEY SELLING POINTS
**Band members spent over 10 years touring in professional band.
**High production values
**Digitally mastered
**For fans of AC/DC, Hanoi Rocks, Guns-n-Roses, Veins of Jenna, Buck Cherry, and Poets & Porn Star.
**Full radio/magazine advertising campaign
**Features track on the Heavenâs Metal Magazine subscribers compilation
**Band has active My Space site
**Full 2008 nationwide tour in the works
**Artwork by renown artist, Caleb Olsen (X-sinner, Final Axe, Seventh Power).
WWW.ANGELICWARLLORD.COM REVIEW
Guitarist Cliff Powell (a.k.a. Cliffy Huntington) got his start in the mid-nineties with the Ramones influences punk rock band The Huntingtons. Parting ways with The Huntingtons in 2001, âCliffyâ joined The Stivs later the same year, a Portland, Oregon based unit that merged elements of rock and roll and punk. The Stivs went on to fall apart in early 2006 at which point Cliffy developed a vision to form his first evangelistic band. The end result was Main Line Riders. A group originating from Houston, Texas, Main Line Riders put together its initial line up in 2006 and, after writing and rehearsing over the next year, recorded its full length debut, Shot In The Dark. The album was shopped around to several labels until the band settled on Retroactive Records, which released it in the fall of 2007.
What Main Line Riders delivers on Shot In The Dark is a throwback sound to the eighties, a decade in which âhair metalâ and âglamâ â and all the layered choruses and hooks, hooks and more hooks inherit to the era â ruled supreme. Specifically, the guys give us a late eighties sunset strip sleaze style of hard rock inviting comparison to early LA Guns, Faster Pussycat, Guns Nâ Roses, Junkyard, Hanoi Rocks, Kix and at times even AC/DC. On the Christian side of the fence, the only band to approach this might be Bombs Over Broadway era Squad 5-O, although fans of X-Sinner, Guardian (with Jamie Rowe on lead vocals), early 90s Bride and Rage Of Angels should find Main Line Riders to appeal to their taste.
What stands out most about Main Line Riders is its youthful and infectious energy. Shot In The Dark, for example, is built upon a foundation of up-tempo hard rockers such as âRide The Main Lineâ, âOne Way Ticket To Loveâ, the aptly entitled âPack Up Your Bluesâ and âTime To Put The Hammer Downâ (one of the heavier pieces here). If an abundance of radio friendly hooks happens to be your cup of tea, then look no further than âSpeed Queenâ (a real raucous track), âThrown To The Bonesâ, the catchy âWalk Aloneâ and mid-tempo muscle of âWe Are The Ready Onesâ. When the band chooses to lighten up on the mood, on the other hand, it can also deliver a very fine ballad in âHere I Amâ. Closing out the album is one of its treats, a cover of the old Junkyard tune âShot In The Darkâ (from the bands 1989 self-titled debut).
Lead vocalist Mike Mayhem brings just the right amount of sass flavored attitude with his gritty, mid-octave vocal style (an element which perfectly complements the âmetal swaggerâ exuded by this brazen five piece unit). Joining Mike is the guitar team of Cliffy and Blackway. The two adorn the full length of the album with their staunch and energy-laden riffs, while Cliffy lead work proves to be of the gut-level and bluesy variety- something he best demonstrates on âPut The Hammer Downâ, âOne Way Ticket To Loveâ and âPack Up Your Bluesâ. Tight but driving would be the best way to describe the rhythm section of bassist PJ and drummer Josho.
Production values, capably handled by Caleb Keiter, come across on the crisp and clean side of things.
The album gets underway with three top of the line hard rockers in âRide The Main Lineâ, âOne Way Ticket To Loveâ and âThrowinâ Bones To The Wolvesâ.
âRide The Main Lineâ begins, appropriately, to the sound of a train barreling down the tracks. Once the rhythm guitar takes over, the song moves forward to a plethora of up-tempo momentum only to erupt for a chorus of the non-stop and hook filled variety. âRide The Main Lineâ talks about getting on the correct path of life:
Fire's lit, the coals are burnin'
Full steam takin' us away
We got what you been searchin'
But you got to ride this train
You know I was just like you are
Wastin' time just to get me high
âOne Way Ticket To Loveâ starts to a blend of hammering guitar riffs and pummeling drums. The song maintains the bottom heavy demeanor throughout its first verse, not culminating until achieving a lively chorus with the allure to pull you in and refuse to let go. Cliffy adds to the ardent scene with a stretch of gritty lead work.
A pounding rhythm guitar also initiates âThrowinâ Bones To The Wolvesâ. The song puts in place an energetic environment its remaining distance, amalgamating a catchy chorus with a momentous rhythm guitar sound the likes of AC/DC and X-Sinner are best known for. You have to enjoy the snap and snarl Mike Mayhem adds to his vocal delivery as well. Finding peace of mind is the subject matter here:
I was a restless dog
You were a wanderin' song
We was too far gone
Gettin' lost in the streets
Another cause for the city police
Take time to find your piece of mind
Cuz you sure won't get it for free
Beatin' on your doors
Breakin' down your walls
Throwin' bones to the wolves
âHere I Amâ, the albums lone ballad, opens acoustically, drifting through its first verse and chorus prior to picking up in pace as the rhythm guitar steps forward. Moving ahead at the faster tempo, the song repeats its emotionally charged chorus in the more determined manner. A bluesy guitar solo is added to a track which can best be described as a good old fashioned love song:
I love the taste of your lips
I still remember our first kiss
It was a long time ago
But it seems like yesterday
When I said i love you
You know I meant forever
Hold me close now, baby
Here I am
Immediately kicking in at an upbeat tempo, âSpeed Queenâ rollicks through its first verse in furious fashion to a storm of rhythm guitar. After evening out, the song moves on to an infectious chorus that comes across near commercial in capacity. If I were to choose one song from the album to play on the radio âSpeed Queenâ would be it.
âPack Up Your Bluesâ represents another song standing out with its up-tempo initiative. A three minute assault of choppy riffs and sledgehammer drums, this one takes a decisive chorus and backs it with the all out raw energy and exuberance the band brings to the table. Very well done spirited guitar solo from Cliffy as well.
âWalk Aloneâ fades in to a drum solo before the rhythm guitar establishes itself fixed and firm. The song proceeds to take off with an excess of resolve, pummeling through its forceful first verse and the tempestuous chorus that follows. Tenacious is the overall feeling I get here, particularly when considering, again, the bands energetic performance and the non-stop hook action. âWalk Aloneâ deals with an individual who chooses to make their own way:
With visions of redemption
I walk against the crowd
Feelin' bad is just a new sensation
Bet your bottom dollar
It cuts like a knife
All dressed up, I got nowhere to go, but
I walk alone
Chained to this stone now
In this small town
I walk alone
Must I live my days in these concrete ways
Several seconds of open air rhythm guitar introduces âPut The Hammer Downâ before it kicks into high gear. A bottom heavy feel is resonated as the song plows ahead, not culminating until reaching a catchy but driving chorus shored up by a trace of vocal harmonies. More fluid soloing from Cliffy (some of the albums best). âPut The Hammer Downâ deals with leaving the past behind:
Hear the rollin' thunder
See the pourin' rain
Feel the rumblin' motor
but I don't feel no pain
I never wanted to be president
I never wanna be a businessman
I never wanna do it your way
I'm comin' on like a hurricane
Time to put the hammer down
Rollin' down this dusty road
Sick of this old filthy town
Need no one to share the load
âWe Are The Ready Onesâ, the longest track here at 5:36, embarks as a heavy duty rhythm guitar stands in support of Mike Mayhemâs spoken word delivery. Transitioning to a few seconds of melodic guitar harmony, the song ambles at a gutsy mid-tempo clip before gaining impetus for a flowing chorus interwoven with a fixed swell of rhythm guitar.
As previously mentioned, âShot In The Darkâ was originally recorded by the LA strip band Junkyard. The song starts to an accompanying audience track before taking off to a screaming rhythm guitar. Pulsating through its first verse, âShot In The Darkâ creates a vigorous setting for a chorus talking about knowing when to make a brand new start:
Itâs just one more shot in the dark
And I'm tryin', tryin' to find my mark
And I lie, I swear to God I'll make a brand new start
And I lied too many times about my brand new start
But it's just one more shot in the dark
Blackway's tight as a nail work on lead guitar helps close the album in very fine fashion.
Review by: Andrew Rockwell
Track Listing: âRide The Main Lineâ (3:13), âOne Way Ticket To Loveâ (3:37), âThrowinâ Bones To The Wolvesâ (3:11), âHere I Amâ (3:03), âSpeed Queenâ (2:44), âPack Up Your Bluesâ (2:52), âWalk Aloneâ (2:44), âPut The Hammer Downâ (3:13), âWe Are The Ready Onesâ (5:36), âShot In The Darkâ (3:53)
Musicians
Mike Mayhem â Lead Vocals
Cliffy â Guitars
Blackkway â Guitars
PJ â Bass
Josho - Drums
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