Lyric driven and roots based. Mid-life angst with a backbeat.

12 MP3 Songs
ROCK: Roots Rock, BLUES: Blues-Rock

Details:
What is a Bill Colgate? Poster boy for mid-life crisis or a somewhat late bloomer? Born in Welland Ontario and raised in Toronto, the arc of Billâs professional life begins in the early 70âs, fronting such memorable bar bands as Uncle Johnâs Dirty Secret and The All Star Disco Band (currently residing in the 9th Circle of Hell). It was while playing The Nickleodeon (Ronnie Hawkinsâ old âHawkâs Nestâ) that things took a left turn when he was approached by the artistic director of a fledging theatre company with the proposal that he might consider giving acting a try âsince you seem to be handling the role oflead singer pretty wellâ. 20 years later, when he recorded his first CD, Bill had appeared in every aspect of the profession: stage, screen (BIG and small), radio, cartoon and commercial voice work. He has performed the plays of Shakespeare, Beckett, Shaw and Ibsen but is most often recognized as The Singing Pirate from an episode of the childrenâs show âJoin Inâ recorded 15 years ago.

Bill has worked with the following names you may recognize: Tommy Lee Jones,John Cusack, Billy Bob Thornton, Diane Keaton, Diane Lane, Kiefer Sutherland, Liev Schreiber, Matt Dillon, Anthony Edwards, Tia Carrere, Jennifer Jason Leigh, Beau Bridges, Joe Mantegna, Sarah Polley, Kyra Sedgwick and Joanna Cassidy.

While with a small theatre company in Mississauga, Ontario(Cyclos Theatre), the process of osmosis first affected Billâs artistic life. He discovered that all those years of singing in bar bands had given him an instinctive understanding of song structure. This came in especially handy as he was the only one in the company with any musical background and someone was needed to write original songs for their childrenâs shows. Thus began Billâs education in songwriting. It proved to be an excellent training ground. The lyrics had to convey information and âfurther the plotâ while the melody had to engage the notoriously fickle pre-pubescent audience. It was an apprenticeship thatâs advantages far outweighed the one disadvantage of having to âunlearnâ a certain didacticism inherent in childrenâs music as he later struggled to find his own âvoiceâ

This struggle began during an hour long walk Bill would take every summer day from the hamlet of Port Ryerse to the town of Port Dover (where he was appearing at The Lighthouse Festival Theatre) along The Radical Road. It had been several years since Bill had been required to write a song but, for some reason, that summer they came fast and furious and, so far, the flood has not abated. Whereas once the osmotic process had flowed from music to theatre, the reverse was now the rule. All the experience Bill had acquired from his years as an actor â his understanding of imagery, the rhythms of speech, the relationship and responsibilities of performer to audience â informed his
songwriting. He had a foot in both camps. He could stand on the shoulders of the giants, not only of the music he loved (The Band, Bob Dylan, Neil Young, Bruce Springsteen) but of the theatre, whose works he had performed (Shakespeare, Beckett, Ibsen, Shaw).

Bill does not play an instrument. He has too much respect for musicians to call what he does to a harmonica âplaying an instrumentâ. Nevertheless, with his principal musical collaborator, Cam MacInnes, he has successfully developed techniques for getting what he hears in his head âoutta thereâ. At three critically lauded CDs and counting, it must be workinâ.

Fast forward to today and we have a Bill Colgate who, ironically enough, uses the acting profession as that thing to fall back on if this singer/songwriter gig doesnât work out. Look out world thereâs a not-so-new-kid in town.

Bill has shared the concert stage with the following names you may recognize: Ron Sexsmith, Bobby Wiseman, Kevin Hearn, Sarah Slean, Mia Sheard, Tamara Williamson, Amos Garrett, The Bills, and, in his bar band days: John Lee Hooker, Chubby Checker, Sha Na Na, Lighthouse and The Stampeders.

Nota Bene

2nd Grand Prize Overall 2002 USA Songwriting Competion; 5th Place Gospel/Inspirational Category John Lennon Songwriting Contest

In May of 2003 Bill showcased in New York City at The Red Lion in Greenwich Village and in Nashville at the world famous Bluebird Cafe.

Bill's song "The Emperor's New Clothes" from his soon-to-be-released sophomore CD "Waiting For Simon" was chosen as a finalist in the 2003 Mountain Stage NewSong Festival.

Bill's song "The Other Woman" was used in the film Landslide starring Anthony Edwards and Joanna Cassidy and was also recorded by Liz Tansey for her debut CD "What I Want".

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