Modern compositions and improvisations in a spare and haunting style.

11 MP3 Songs
JAZZ: Avant-Garde Jazz, AVANT GARDE: Microtonal

Details:
Jonathan Moritz: tenor and soprano saxophone; Chris Welcome: guitar; Shayna Dulberger: upright bass; John McLellan: drums

About

Were you the silent stalker â traversing deserted roads in the middle of the night, hitchhiking across the Midwest, inspiring feelings of unease in late-night drivers â this would be your soundtrack; these would be your cues. This album is about the night â feeling both warm like cheap drink and cool like the bathroom floor (morgue?). Quartet features compositions from guitarist Chris Welcome, abetted here by Jonathan Moritz on saxophones, Shayna Dulberger on double-bass, and John Mclellan on drums. Pushing on a film noir vibe that comforts like morphine.


Reviews

The eleven tracks here seem to be painted as much as played and the music is sometimes about effects as much as notes. The sequential numbering of these spare compositions, all penned by guitarist/ leader Chris Welcome, recalls the method of numbering paintings in a series, thus underscoring the artistic parallel.
The songs revolve mostly around the sax work of Jonathan Moritz, whose brooding ruminations on soprano and tenor unfold slowly while Welcome, bassist Shayna Dulberger and drummer John McLellan fill the spaces on the canvas behind him with spirited, laconic riffs. For his part, Moritz sometimes breathes into his mouthpiece for effect before playing and his clever use of harmonics, the upper register and atonality serve as the album's thematic foundation.

There are a few moments, however, when the band falls into more conventional playing. â#4â has a free jazz bent that recalls Ornette Coleman; Welcome plays rapid-fire riffs like a man unshackled, his single note lines sounding sharp enough to break the strings. On â#3â Moritz' skyscraping soprano mimics a flute and Dulberger's arco on â#8+15+6â moans somewhere between an Indian raga and a Tibetan monk chant. These moments of inventive mimicry widen the scope of the performances and raise the album above the level of plainness.

The atmosphere ranges from somber to lively to almost forbidding. The songs are carefully crafted and played by a group of distinct and talented musicians who manage to convey their unique and cohesive message amidst the mysterious, stark landscapes.
Review by Terrell Kent Holmes. From ALL ABOUT JAZZ May 2008

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