Musique Noir
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Single items of this product are available separately.
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Sapporo Blue
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Smile
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Tenderly
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Killing
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Girl From Impanema
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You And The Night And The Music
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Elektrolade
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Come Rain Or Come Shine
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It Might As Well Be Spring
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Musique Noir (Bonus Track)
Similar Videos: Musique Noir
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Written by: C. Eckert Quester
Genre: Jazz: Nu Jazz /Acid Jazz
Published by: Phazz-A-Delic Recordings
Artist: Sapporo Sound Motel
Jazz as an American Genre, allegorised by European musicans, coined by a singer with french attitude and mysterious beauty, charged with dark appearing urban sounds, accompanied with a solitary bass and a cynical sax, coined by a producer with a Machiavellian handling of compositions, standards and known melodies. This all provides the framework of ÂMusique NoirÂ. Everything centers the musical moment: as  Deadly Is the Female the ÂStrangers on a Train get ÂDouble Indemnit  for the ÂThe Maltese Falcon running on  The Asphalt JungleÂ, but the ÂBlade Runner finalising ÂThe Killing in ÂChinatown travelling the ÂLost Highway to ÂSin CityÂ, finally deciding to stay at the ÂSapporo Sound Motel. The drumless band playing at the foyer appears to be a chamber music ensemble, but the electronic beats and breaks stage-manage something different and by creating a sound of such intimacy, only love can affect, nothing seems to be important than just the music between you and me. Not even the assumed life between bars and nightclubs  there is just the Jazz flowing through the veines and making you tapping, dancing, moving through the real life. Like the film noir fascinated different audiences, ÂMusique Noir will fascinate as well a younger audience as people with different musical preferences as traditional Jazz lovers.
©Phazz-A-Delic Recordings
In cooperation with MTunes
Tradebit Album
Genre: Jazz: Nu Jazz /Acid Jazz
Published by: Phazz-A-Delic Recordings
Artist: Sapporo Sound Motel
Jazz as an American Genre, allegorised by European musicans, coined by a singer with french attitude and mysterious beauty, charged with dark appearing urban sounds, accompanied with a solitary bass and a cynical sax, coined by a producer with a Machiavellian handling of compositions, standards and known melodies. This all provides the framework of ÂMusique NoirÂ. Everything centers the musical moment: as  Deadly Is the Female the ÂStrangers on a Train get ÂDouble Indemnit  for the ÂThe Maltese Falcon running on  The Asphalt JungleÂ, but the ÂBlade Runner finalising ÂThe Killing in ÂChinatown travelling the ÂLost Highway to ÂSin CityÂ, finally deciding to stay at the ÂSapporo Sound Motel. The drumless band playing at the foyer appears to be a chamber music ensemble, but the electronic beats and breaks stage-manage something different and by creating a sound of such intimacy, only love can affect, nothing seems to be important than just the music between you and me. Not even the assumed life between bars and nightclubs  there is just the Jazz flowing through the veines and making you tapping, dancing, moving through the real life. Like the film noir fascinated different audiences, ÂMusique Noir will fascinate as well a younger audience as people with different musical preferences as traditional Jazz lovers.
©Phazz-A-Delic Recordings
In cooperation with MTunes
Tradebit Album
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