An endless disposability to shift, interchange and unpredictability. The difficulty of decision when everything is available.Exploration beyond control of events and shapes.

36 MP3 Songs in this album (76:49) !
Related styles: CLASSICAL: Piano solo, AVANT GARDE: Experimental



Details:
As a primordial cause to music creation we can hypothetically aim the acoustics of natural phenomena. The sounds of the environment have melodic and rhythmic qualities: the blowing of the wind, the rustle of trees, the undulation of grass, the falling of rain, the warbling of birds, the roaring of animals, the murmur of insects, the crackling of fire on wood, the reverberation of thunders, the agitation of water, the ways of vocal expressions of emotion or intention. All those rhythmic lines, textures and tuneful sketches of sound exercise an ontological impact. To experience it was a source of emotion, feeling and expression first directly mimetic or onomatopoeic and then emitted under conditions of aesthetic selection and elaboration as something less conventional. Another circumstance that may be one of the reasons of human music creation is the manipulation of natural objects that generate sound when scraped, blown, dragged or stricken.
Between a pragmatic and intuitive approach, these compositions are an exploration and combination of hypnotic qualities of natural sounds, engendering a certain incantatory energy and perceptive ambiguities. Circuits or non directional trajectories seek attributes from an endless disposability to shift, interchange and unpredictability.
Gradual proliferations and repetitions originate a weft of rhythmic and melodic interferences and tensions.