Adam´s harmonica warmup exercises (with overblows).pdf
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These exercises develop speed, fluency, and the ability to transition smoothly from the bottom to the top of the harp and back. They help players integrate overblows within a traditional diatonic blues context. They also provide a workout on upper octave bends. Gussow shows you a series of variations on triplet phrasing--not just standard eighth-note triplets (three to a beat), but sixteenth-note triplets (three to an upbeat) achieved through a rapid slur. This particular trick is one of Gussow's characteristic moves; he decodes it for you here.
Note: a video tutorial is also available for this tab sheet.
harp key: C (in the video), although other keys may be used
Another Modern Blues Harmonica production (http://www.modernbluesharmonica.com)
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