MP3 Les McCann - Pump It Up
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11 MP3 Songs in this album (56:15) !
Related styles: JAZZ: Jazz-Funk, URBAN/R&B: Funk
People who are interested in Bill Evans Maceo Parker Marcus Miller should consider this download.
While Les McCann has always revealed a decided tendency toward the funky side of things in his playing and singing, going back to his earliest gospel-tinged soul-jazz recordings for the Pacific Jazz label from 1960-1964, the slamming "Pump It Up" finds him knee-deep in the funk.
Under the direction of producer-composer Alan Abrahams, McCann is surrounded by a cast of young funkateers, including bassists Marcus Miller and Abraham Laboriel, drummer John Robinson, funky rhythm guitar aces Dean Brown and Paul Jackson, Jr., keyboardist Ricky Peterson and his guitar-playing brother Paul, saxophonists Bill Evans and Keith Anderson, all of whom bring something special to the table. And Les delivers with funky authority, swaggering and bragging his way through the good-time vehicles in typically bawdy fashion.
As producer Abrahams explains, "ESC Records initially came to us wanting to do something with Les. And they specifically said that they did not want any smooth jazz. So I told Les, âAll they want is the funk...letâs give it to them.â After all, who is funkier than Les McCann?â Other special guests recruited for "Pump It Up" include Billy Preston, who plays organ on the ultra-funky "Tryinâ To Make It Real,â vocalist Dianne Reeves, who joins Les for a moving duet on Bill Withersâ beautiful ballad "You Just Canât Smile It Awayâ and pop superstar Bonnie Raitt, who turns in a soul-searing performance on an updating of McCannâs gospel-flavored "The Truth.â Maceo Parker, a charter member of James Brownâs classic, funky aggregations from the early â60s, appears on one track, blowing his alto sax with typical intensity on the anthemic "Funk It (Let The Music Play).â
McCannâs 45th recording as a leader comes three years after his previous outing, Pacifique , on the Music Masters label. Along the way heâs had some delirious highpoints -- notably his 1969 landmark recording "Swiss Movementâ for Atlantic -- in a celebrated career that stretches back 43 years.
"This record was truly a great experience,â says McCann. "All the guys seemed glad to be a part of it and they talked about how I had influenced them earlier in their careers. Plus, they all felt free to drop in their ideas along the way. It was one of those give-and-take things in the studio. Alan and I are very pleased with the results. Iâm glad to be back on the block again.â
Recorded at Capitol Studios in Los Angeles and mixed in Minneapolis with engineer Tom Tucker (veteran mix engineer for Princeâs Paisley Park label), "Pump It Upâ is an irrepressibly slamming affair that promises to reintroduce the soul-jazz icon to the public as a revered elder of the funk.
Born Leslie Coleman McCann on September 23, 1935 in Lexington, Kentucky, he grew up with a depth of feeling for music from his early connection to the church. During a stint in the Navy he won a talent contest which earned him a spot on The Ed Sullivan Show . After being discharged from service, he began accompanying singer Eugene McDaniel on piano in 1959 and formed his own trio the following year. McCann recorded frequently with his trio between 1960 and 1964 for Pacific Jazz, a West Coast label founded by Dick Bock. "When I made my first album on Pacific Jazz, the owner of the company (Bock) said to me, âWhat yâall are playing is funky!â That was the first time I had heard that term applied to music. People were calling my music funky but they also called it soul music. What I knew as soul was Ray Charles and Aretha Franklin. But it really all comes from the church. Itâs a cultural thing from the area I grew up in, itâs what we heard growing up. And I had a desire to be back in it again. I always seem to come back to the funk.â
Call it funk, soul-jazz or whatever, McCannâs early â60s output for Pacific Jazz featured such stellar guests as organist Groove Holmes, tenor saxophonist Stanley Turrentine, guitarist Joe Pass, trumpeter Blue Mitchell, saxophonist Ben Webster and the Jazz Crusaders. After debuting on Atlantic in 1968 with "Much Lesâ, he scored a massive hit the following year with "Compared To What,â an urgent, politically-charged song from the "Swiss Movementâ album which caught on big with the Question Authority generation that came of age during the Vietnam War. That historic 1969 encounter with tenor saxophonist Eddie Harris, recorded live at the Montreux Jazz Festival. It was reissued a few years ago on both cd and video by Rhino Records. McCannâs follow up to that landmark recording was 1971âs adventurous "Invitation To Opennessâ featuring Yusef Lateef on various reed instruments, Cornell Dupree and David Spinozza on guitars, Bernard Purdie and Alphonse Mouzon on drums and a host of other studio aces. That ambitious outing -- Lesâ answer to Miles Davisâ "Bitches Brewâ -- was reissued last year by Label M.
After continuing to record and tour through the â70s, â80s and into the early â90s, McCannâs career was temporarily sidetracked by a stroke he suffered during a concert in January of 1995. After spending a month and a half in a hospital bed in Celle, Germany, he returned home to Van Nuys, California and gradually began regaining control of his motor skills. Encouraged by producer and longtime associate Alan Abrahams, McCann released the following year the album "Listen Up!â , which also featured keyboardist George Duke and saxophonist Ernie Watts. Then last year, Lesâ soulful cameo appearance on Bill Evansâ "Soul Insiderâ on ESC Records (ESC/EFA 03668-2) announced, in no uncertain terms, that he was back on his funky game. And now he takes it up a notch on the unabashedly funky "Pump It Up" .
"The funk was a kind of natural jacket for Les to put on,â says producer Abrahams. "And he embraced it very, very much as it was going on and was having fun with it. The idea of this album was that there was not any deep political statement here. Itâs about havinâ some fun, do the funk and keep steppinâ.â
Les McCann: lead vocals, piano â original recording 1964
Ricky Peterson: hammond b3, wurlitzer piano
John Robinson: drums, bass track
Paul Jackson Jr.: guitar, rhythm guitar
Abraham Laboriel: bass
Marcus Miller: bass
Maceo Parker: alto sax
Billy Preston: hammond b3, wurlitzer piano
Bill Evans: sax
Dean Brown: lead guitar, rhythm guitar
Bonnie Raitt: lead vocals
Dianne Reeves: lead vocals
Paulinho da Costa: percussion
Keith Anderson: sax
Tom Saviano: alto sax
Bill Churchville: trumpet
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