MP3 The Motor City Brass Quintet - Christmas Vespers
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Featuring the premiere recording of Pulitzer Prize winner John Harbison's Christmas Vespers (with former Mayor of Detroit, Dennis Archer, as narrator), this debut recording also offers a collection of traditional Yuletide music, both sacred and secular, u
22 MP3 Songs in this album (56:24) !
Related styles: CLASSICAL: Brass quintet, CLASSICAL: Chamber Music
People who are interested in Empire Brass The Boston Pops The Canadian Brass should consider this download.
Details:
The Motor City Brass Quintetâs debut recording has been, to say the least, a long time comingâcertainly (but not solely) in its artistic concept. As such, it has afforded the MCBQ a wealth of discovery along the way. Perhaps the most insightful artistic lesson can be summarized with a new adage, based on the age-old chicken-and-egg riddle: What comes first, the album or the arrangements? Well, both, we now say. This probably is no riddle, but rather a goal toward which weâve dutifully trudged: find great quintet arrangements we love to play, and unify them in a narrowly-themed collection that stands in whole even greater than the sum of its wonderful parts.
And so we present our whole: Christmas Vespers; a collection of our favorite Yuletide music; and various tunes heard in assorted contexts each December, yet commonly programmed side-by-side, sacred and secular, in churchesâ candle-lit musical celebrations of the Advent, the Vespers service.
McGregorâs lush carol arrangements evoke an all-congregation sing-along with booming pipe organ, and Hansingerâs Carol of the Bells imitates a handbell choir, echoing through the depths of an old, resonant church. The Herbert and Anderson favorites remind us of the children's choir feature, while Handelâs great aria is the cantorâs (and house trumpeterâs) moment to shine. Subdued ancient European carols suggest choir-led meditations for moments of introspection, contrasting the brassy flair of Borngesserâs Joy. We might hum Gillilandâs tasteful arrangement of a warm modern classic as we head home in the cold night.
Of course, Vespers often features the Christmas pageant. The centerpiece of the MCBQâs Vespers is the premiere complete recording of John Harbisonâs Christmas Vespers (1988). Professor of Music at the Massachusetts Institute of Technology, Harbison is a recipient of the Pulitzer Prize and many other prestigious awards and commissions and has composed in virtually every genre, from solo to chamber to symphonic music. His Christmas Vespers: Brass Quintet reflects a Vespers service in itself, beginning with two seasonal chorale preludes as processionals, and concluding with a festive postlude based on the traditional Christmas song, âThe Twelve Days of Christmas.â The main body of the piece, The Three Wise Men, alternates the familiar and beautiful narrative from Matthew 2:1â12 with elaborated âengravingsâ of each scene by the brass. The suite begins with a prelude depicting the long journey
of the Wise Men, with its changing wide-open terrain and its optimistic, loping pace. The first lines of text, âNow when Jesus
was born in Bethlehem . . . there came wise men,â draw a response from the brass, which sets the format for the suite as a whole.
The (Three) Wise Men are personified by Bb trumpet, horn and trombone, with an early medieval cast. Herodâs voice is spoken by the tuba. The plainsong-like motive of the Star and the Prophecies is introduced by, and later associated with, the higher-pitched C trumpet. Each ensuing scene is an enactment of the text pronounced, ending with a postlude, the reflective departing journey (a deliberate tip of the hat to the master of this kind of âmusic-for-use,â Paul Hindemith). In sum, it is a wonderfully unique composition that we believe deserves a prominent place in brass quintet repertoire.
We hope you enjoy our Vespers! Reflect on its parts, and incorporate it into a whole new Vespers of your own. Listen in random order, or in one of your own choosing. Celebrate the individuality of your Vespers service! We are humbly privileged to offer this refreshing new outlet with which you can enjoy the spirit and traditions of the season.
The Motor City Brass Quintet
December 2008
The Motor City Brass Quintet
The Motor City Brass Quintet features some of Detroit's most creative and versatile brass musicians, including members of the Detroit Symphony Orchestra and the Michigan Opera Theatre Orchestra, making the MCBQ an exciting addition to the diverse musical culture of Metropolitan Detroit.
The quintet's members have taught at institutions including the University of Michigan, the University of Toledo, Grand Valley State University, and Albion College. Experienced educators, the MCBQ performs unique, specialized educational programs geared towards children, as well as presentations for adults in a variety of formats.
This is the MCBQâs debut CD, and features the premier complete recording of John Harbison's Christmas Vespers, as well as new arrangements of familiar Christmas and holiday music.
22 MP3 Songs in this album (56:24) !
Related styles: CLASSICAL: Brass quintet, CLASSICAL: Chamber Music
People who are interested in Empire Brass The Boston Pops The Canadian Brass should consider this download.
Details:
The Motor City Brass Quintetâs debut recording has been, to say the least, a long time comingâcertainly (but not solely) in its artistic concept. As such, it has afforded the MCBQ a wealth of discovery along the way. Perhaps the most insightful artistic lesson can be summarized with a new adage, based on the age-old chicken-and-egg riddle: What comes first, the album or the arrangements? Well, both, we now say. This probably is no riddle, but rather a goal toward which weâve dutifully trudged: find great quintet arrangements we love to play, and unify them in a narrowly-themed collection that stands in whole even greater than the sum of its wonderful parts.
And so we present our whole: Christmas Vespers; a collection of our favorite Yuletide music; and various tunes heard in assorted contexts each December, yet commonly programmed side-by-side, sacred and secular, in churchesâ candle-lit musical celebrations of the Advent, the Vespers service.
McGregorâs lush carol arrangements evoke an all-congregation sing-along with booming pipe organ, and Hansingerâs Carol of the Bells imitates a handbell choir, echoing through the depths of an old, resonant church. The Herbert and Anderson favorites remind us of the children's choir feature, while Handelâs great aria is the cantorâs (and house trumpeterâs) moment to shine. Subdued ancient European carols suggest choir-led meditations for moments of introspection, contrasting the brassy flair of Borngesserâs Joy. We might hum Gillilandâs tasteful arrangement of a warm modern classic as we head home in the cold night.
Of course, Vespers often features the Christmas pageant. The centerpiece of the MCBQâs Vespers is the premiere complete recording of John Harbisonâs Christmas Vespers (1988). Professor of Music at the Massachusetts Institute of Technology, Harbison is a recipient of the Pulitzer Prize and many other prestigious awards and commissions and has composed in virtually every genre, from solo to chamber to symphonic music. His Christmas Vespers: Brass Quintet reflects a Vespers service in itself, beginning with two seasonal chorale preludes as processionals, and concluding with a festive postlude based on the traditional Christmas song, âThe Twelve Days of Christmas.â The main body of the piece, The Three Wise Men, alternates the familiar and beautiful narrative from Matthew 2:1â12 with elaborated âengravingsâ of each scene by the brass. The suite begins with a prelude depicting the long journey
of the Wise Men, with its changing wide-open terrain and its optimistic, loping pace. The first lines of text, âNow when Jesus
was born in Bethlehem . . . there came wise men,â draw a response from the brass, which sets the format for the suite as a whole.
The (Three) Wise Men are personified by Bb trumpet, horn and trombone, with an early medieval cast. Herodâs voice is spoken by the tuba. The plainsong-like motive of the Star and the Prophecies is introduced by, and later associated with, the higher-pitched C trumpet. Each ensuing scene is an enactment of the text pronounced, ending with a postlude, the reflective departing journey (a deliberate tip of the hat to the master of this kind of âmusic-for-use,â Paul Hindemith). In sum, it is a wonderfully unique composition that we believe deserves a prominent place in brass quintet repertoire.
We hope you enjoy our Vespers! Reflect on its parts, and incorporate it into a whole new Vespers of your own. Listen in random order, or in one of your own choosing. Celebrate the individuality of your Vespers service! We are humbly privileged to offer this refreshing new outlet with which you can enjoy the spirit and traditions of the season.
The Motor City Brass Quintet
December 2008
The Motor City Brass Quintet
The Motor City Brass Quintet features some of Detroit's most creative and versatile brass musicians, including members of the Detroit Symphony Orchestra and the Michigan Opera Theatre Orchestra, making the MCBQ an exciting addition to the diverse musical culture of Metropolitan Detroit.
The quintet's members have taught at institutions including the University of Michigan, the University of Toledo, Grand Valley State University, and Albion College. Experienced educators, the MCBQ performs unique, specialized educational programs geared towards children, as well as presentations for adults in a variety of formats.
This is the MCBQâs debut CD, and features the premier complete recording of John Harbison's Christmas Vespers, as well as new arrangements of familiar Christmas and holiday music.
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