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Mp3 Purple Dawn - New Age: AmbientAmbient compositions using theremin, recorder and guitar; "an offering of sound for the mind, body and headphones." -Brian Williams, The Dilominac 10 MP3 So......
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8.99 USD
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MP3 Robert A. Wolf - Krakatoa
Price: 8.99 USD
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Description:
(ID 8046441)
in partnership with CDbaby
User tags: electronic ambient, new age progressive electronic, mp3 album
Votes:
Reviews:
Downtempo, stylish electronic beats with arrangment of acoustic piano, guitars and bass, complimented by beautiful and erotic ambient Enya style vocalizations. New age meets progressive structure in this relaxing mood setting atmospherical dream music.
12 MP3 Songs in this album (65:33) !
Related styles: ELECTRONIC: Ambient, NEW AGE: Progressive Electronic
People who are interested in Enya Vangelis Ryan Farish should consider this download.
Details:
Born in Southern Illinois, Robert always used to make funny sounds out of used radio parts until he purchased his first synthesizer in 1975.
All through his high school years he tweaked with synthesizers and learned the stylings of the progressive rock gods of the 1970's. Synthesizers were quite new in the 1970's but Robert caught on quite quickly and even set of a demonstration for the entire high school to view. Attended college in Illinois in 1979-81 where he was taking music classes and even gave lecture on electronic music. He also was a DJ at the college radio station.
Robert played with a few local bands in Illinois and Indiana then attended Belmont music school in Nashville Tennesee, Also Robert is a 1983 graduate of Full Sail Recording Workshop in Orlando Florida. Playing keyboards in rock bands thru the 1980's Robert won a local radio station songwriting contest 2 years in a row, the first win in 1981 was as a solo act with one of the first synth songs he ever wrote called 'Ride The Cosmic Wave'.
Toured with the Evansville IN based band âMoonrockerâ in 1984 in the Midwest and Florida sharing the bill with such acts as âThe Grass Rootsâ and âHead Eastâ. In 1986 joined Evansville Based band âSide Effexâ and played many Midwest clubs.
Robert moved to L.A. in 1987 and Joined L.A. based band âTremorâ and played most every club in Hollywood including The Roxy, The Whisky a Go-Go, Troubadour, and Gazzarri's. While living in Studio City in the early 1990's and experimenting with Progressive Instrumentals and Film Scoring. Robert joined Central Casting and worked in front of the cameras and can be seen in the films, Another You, Ricochet, and Wayne's World.
In 1993 Robert got behind the scenes and wrote the score for his first film 'The Tell Tale Heart', for A.I.A. Productions of Los Angeles. The score later won second place at the World Fest film awards in 1993. Robert took the instrumentals he was toying with and put together his first album 'Sanctuary' which sold over 2000 copies in Asia in 1994.
In 1993 when the internet was starting out Robert moved operations back to Illinois, hired a music attorney and signed with L.A.'s Statue Records and to write, perform and produce many more Progressive Instrumentals and music for the new emerging world wide web. The 'Paradox' 1999 release was a result of this with 10 great new Progressive Instrumentals. In 1995 Statue records and Robert parted company and Wolfymusic records and publishing was born.
Robert found a great deal on ranch property and moved the studios to Southern Indiana. Robert worked in the local radio and TV market for awhile. From 2001-2007 Robert concentrated more on family life while still selling his music through Wolfymusic also writing the occasional radio ad, and playing small venues.
In 2007 A.I.A. Productions called on Robert once again for a film soundtrack. Robert scored the music for the full length motion picuture Mary Shelly's The Last Man.
With another successful movie the work is nonstop, with a flood of offers Robert can now work comfortably from his Indiana studio and do projects for people around the world. Currently finished up a 3rd album 'Krakatoa'. Robert is working on 'Scorned', a motion picture score for 2009.
12 MP3 Songs in this album (65:33) !
Related styles: ELECTRONIC: Ambient, NEW AGE: Progressive Electronic
People who are interested in Enya Vangelis Ryan Farish should consider this download.
Details:
Born in Southern Illinois, Robert always used to make funny sounds out of used radio parts until he purchased his first synthesizer in 1975.
All through his high school years he tweaked with synthesizers and learned the stylings of the progressive rock gods of the 1970's. Synthesizers were quite new in the 1970's but Robert caught on quite quickly and even set of a demonstration for the entire high school to view. Attended college in Illinois in 1979-81 where he was taking music classes and even gave lecture on electronic music. He also was a DJ at the college radio station.
Robert played with a few local bands in Illinois and Indiana then attended Belmont music school in Nashville Tennesee, Also Robert is a 1983 graduate of Full Sail Recording Workshop in Orlando Florida. Playing keyboards in rock bands thru the 1980's Robert won a local radio station songwriting contest 2 years in a row, the first win in 1981 was as a solo act with one of the first synth songs he ever wrote called 'Ride The Cosmic Wave'.
Toured with the Evansville IN based band âMoonrockerâ in 1984 in the Midwest and Florida sharing the bill with such acts as âThe Grass Rootsâ and âHead Eastâ. In 1986 joined Evansville Based band âSide Effexâ and played many Midwest clubs.
Robert moved to L.A. in 1987 and Joined L.A. based band âTremorâ and played most every club in Hollywood including The Roxy, The Whisky a Go-Go, Troubadour, and Gazzarri's. While living in Studio City in the early 1990's and experimenting with Progressive Instrumentals and Film Scoring. Robert joined Central Casting and worked in front of the cameras and can be seen in the films, Another You, Ricochet, and Wayne's World.
In 1993 Robert got behind the scenes and wrote the score for his first film 'The Tell Tale Heart', for A.I.A. Productions of Los Angeles. The score later won second place at the World Fest film awards in 1993. Robert took the instrumentals he was toying with and put together his first album 'Sanctuary' which sold over 2000 copies in Asia in 1994.
In 1993 when the internet was starting out Robert moved operations back to Illinois, hired a music attorney and signed with L.A.'s Statue Records and to write, perform and produce many more Progressive Instrumentals and music for the new emerging world wide web. The 'Paradox' 1999 release was a result of this with 10 great new Progressive Instrumentals. In 1995 Statue records and Robert parted company and Wolfymusic records and publishing was born.
Robert found a great deal on ranch property and moved the studios to Southern Indiana. Robert worked in the local radio and TV market for awhile. From 2001-2007 Robert concentrated more on family life while still selling his music through Wolfymusic also writing the occasional radio ad, and playing small venues.
In 2007 A.I.A. Productions called on Robert once again for a film soundtrack. Robert scored the music for the full length motion picuture Mary Shelly's The Last Man.
With another successful movie the work is nonstop, with a flood of offers Robert can now work comfortably from his Indiana studio and do projects for people around the world. Currently finished up a 3rd album 'Krakatoa'. Robert is working on 'Scorned', a motion picture score for 2009.
in partnership with CDbaby
User tags: electronic ambient, new age progressive electronic, mp3 album
Votes:
(based on 2 reviews)
Reviews:
LCW-sunshine review wrote:
I would like to start off by saying that I really love this album. I am somewhat familiar with Robert�s earlier work like 1993�s Sanctuary and 1999�s Paradox CD�s, and as good as his debut album was 16 years ago, this is by far his best work to date. Maybe now I know why it has taken so long between releases, Robert has been working on the craft of enjoyable dreamy mood instrumentals. Unlike other ambient style music I listen to, Robert seems to write actual songs with a beginning middle and end. Well maybe except for (Eva�s Reflection), but I can understand that was one of his movie scores, but even that song conjures up movie scenes in my mind. All of these songs on this CD take your mind on a soothing adventure, they are well crafted and executed, and I�m happy to get 12 of them on this CD. Robert�s other CD�s only had 10 songs, which that alone I understand is above average for any CD in todays indie EP slanted world. I even like the colorful cover art and inside (volcano) concept that would have had a much larger impact had it been released on a 12" vinyl in the days of old. It�s nice to see there are still some artist that go the extra mile in that catagory. I can also see why The Weather Channel has chosen so many songs from this CD to feature on local on the 8�s, it fits perfectly into their smooth jazz/new age format. Many songs have the airy vocals that you would find in a Enya or Celtic type songs, and the melisma lead vocal styling�s are dreamy and wonderful sounding. Even the Gregorian chant alyrical vocals in the song �Landfall� are hauntingly relaxing. Several songs in the middle of the album have some flavorful spanish guitar in the mix. And �Cracking the Mountain�ends the 12 song juggernaut on a up tempo climax as if the peaceful mountain of music on this CD suddenly decided to add lava to the spice. I think that�s why this CD is separate from his earlier work, these are instrumentals that are kicked up a notch. Krakatoa is most certainly an eruption of dreamy mind wondering music. This CD is a must have if your collection includes, Moby, Ryan Farish, Tangerine Dream, Enya, Vangelis or any other tasty mood instrumentals. And in Krakatoa, Robert A. Wolf has created a very tasty album indeed - Delicious! - I highly recommend it.
I would like to start off by saying that I really love this album. I am somewhat familiar with Robert�s earlier work like 1993�s Sanctuary and 1999�s Paradox CD�s, and as good as his debut album was 16 years ago, this is by far his best work to date. Maybe now I know why it has taken so long between releases, Robert has been working on the craft of enjoyable dreamy mood instrumentals. Unlike other ambient style music I listen to, Robert seems to write actual songs with a beginning middle and end. Well maybe except for (Eva�s Reflection), but I can understand that was one of his movie scores, but even that song conjures up movie scenes in my mind. All of these songs on this CD take your mind on a soothing adventure, they are well crafted and executed, and I�m happy to get 12 of them on this CD. Robert�s other CD�s only had 10 songs, which that alone I understand is above average for any CD in todays indie EP slanted world. I even like the colorful cover art and inside (volcano) concept that would have had a much larger impact had it been released on a 12" vinyl in the days of old. It�s nice to see there are still some artist that go the extra mile in that catagory. I can also see why The Weather Channel has chosen so many songs from this CD to feature on local on the 8�s, it fits perfectly into their smooth jazz/new age format. Many songs have the airy vocals that you would find in a Enya or Celtic type songs, and the melisma lead vocal styling�s are dreamy and wonderful sounding. Even the Gregorian chant alyrical vocals in the song �Landfall� are hauntingly relaxing. Several songs in the middle of the album have some flavorful spanish guitar in the mix. And �Cracking the Mountain�ends the 12 song juggernaut on a up tempo climax as if the peaceful mountain of music on this CD suddenly decided to add lava to the spice. I think that�s why this CD is separate from his earlier work, these are instrumentals that are kicked up a notch. Krakatoa is most certainly an eruption of dreamy mind wondering music. This CD is a must have if your collection includes, Moby, Ryan Farish, Tangerine Dream, Enya, Vangelis or any other tasty mood instrumentals. And in Krakatoa, Robert A. Wolf has created a very tasty album indeed - Delicious! - I highly recommend it.
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