Sell Downloads
Downloading...

MP3 Dominique Vellard / Duo M&M - L´Auzel Ques Sul Bouyssou

Music » Classical » Page 38 Classical

 

MP3 Album Cover


Contains these products:
Single items of this product are seperate available.
  1. play button
    Hor Venduto Ho La Sperenza
  2. play button
    Calata Alla Spagnola
  3. play button
    Vecchie Letrose
  4. play button
    Recercata Concertata
  5. play button
    Sio Pensase Madona
  6. play button
    Poi Che Volse La Mia Stella
  7. play button
    Alla Guerra
  8. play button
    Est Ce Mars - Courante De Mars
  9. play button
    Quien Quiere Entrar
  10. play button
    Un Jour De La Semaine
  11. play button
    Néspérez Plus Mes Yeux
  12. play button
    Ballet
  13. play button
    LAuzel Ques Sul Bouyssou
  14. play button
    Folias
  15. play button
    Repicavan Las Campanillas
  16. play button
    Rugero Y Paradetas

File Data:
Contact Seller: music, official CDbaby reseller, USA, Member since 06/19/2005
URL: Twitter this twitter this
Embed: Create JavaScript Mobile Tag MiniDisplay
Embed mini player: Create Player Code MiniPlayer
Embed MySpace: Create JavaScript Mobile Tag Code for MySpace
Description:
Italian Renaissance and French early Baroque music brilliantly arranged for two instruments (lutes, theorbes and Baroque guitar) by duo M&M

16 MP3 Songs in this album (35:46) !
Related styles: CLASSICAL: Renaissance, CLASSICAL: Baroque



Details:
This programme comprises music by Italian and French composers, including Marchetto Cara, Bartolomeo Tromboncino, Philippe Verdelot, Adrian Willaert, Francesco da Milano, Joanambrosio Dalza, Nicolas Vallet, Antonie Boesset, Gabriel Bataille and Étienne Moulinié.

The program centres on the Renaissance voice genres (16th century) Frottola and Madrigal and the Baroque (17th century) Air de cour. Love is the main topic, sometimes expressed in a melancholic and courteous way and at other times in an ironic and popular tone. Voice pieces are combined with vivacious and colourful instrumental dances and ricercadas for two lutes. These dances, which were originally composed as solos, have the influence of popular tradition and been brilliantly arranged for two instruments (lutes, theorbes and Baroque guitar) by duo M&M.


ABOUT THE MUSIC:

The genre of Frottola blossomed in Italy around the turn of the 16th century. Composed normally for 4 voices, Frottola, whose main theme is love, was derived from the secular tradition of literary homonym. The structure of Frottola is rather homorythmic - the voices move together - consisting of an alternation of verses and a refrain. This âpopularâ character led to its use also in the form of a simple melody sung by a low voice, accompanied by a lute. Among the composers of Frottola from this time were Marchetto Cara and Bartolomeo Tromboncino, both of whom wrote in Mantova, the epicentre of this genre.

âVerdelottoâ - Philippe Verdelot, a Frenchman, exiled in Italy at the beginning of the 16th Century - was a prolific composer of Madrigals, the principal characteristics of which are meticulous fidelity to the text and rich contrapuntal writing. In contrast to Frottola, madrigals present a much more complex structure with freely inspired metre and narrative content. The Madrigal also survived in the form of a lute song. Airs de courâ were a genre performed in France during the 16th and 17th Centuries, mainly by a solo voice accompanied by lute or guitar - an instrument that enjoyed the great interest and favour of the sovereign himself.

Nicolas Vallet was greatly appreciated in France and the rest of Europe both as a lutenist and master of dance. He left a collection rich in music and dances called âSecretum Musarumâ, which also contains music for four lutes.

The lute occupied a place of choice in the renaissance cultures of Italy and Europe and we have preserved a vast legacy of solo and chamber music repertoire. One of the favourite genres is the lute duet, of which there remain many beautiful compositions. The reputation of Francesco Canova da Milano, known as âthe Divineâ, is still alive several centuries after his death. He was active in Italy and probably in Paris and left a substantial solo repertoire and two duets of rare beauty. From Joanambrosio Dalza, we have nothing except for a collection of compositions (1508), containing âRecercariâ in an improvisational style and some very virtuose dance music.

Spanish guitar music often reaches us as only simple melodies notated in tablature or chord sequences. From such scarce resources, musicians had freedom of interpretation, as we do now, to recreate these pieces and arrange variations on popular airs. Among the possibilities, it is interesting to play this music with two instruments.
(Mirko Amone, transl. by Mike Diprose)


BIOGRAPHIES:

Dominique Vellard:
The major areas explored by Dominique Vellard in his musical carreer are rooted in his childhood experiences as a choirboy at Notre-Dame de Versailles. The choirmaster, Pierre Béguigné, who was trained in the Niedermeyer school, nurtured in him a passionate love of Gregorian chant, Renaissance polyphony, the French composers of the seventeenth century and Bach organ music and chorales. Soon after completing his studies at the Versailles conservatory, Dominique Vellard encountered the new approach to the various Baroque repertoires currently being led by the âharpsichordist-conductorsâ of the seventies. Stimulated by their challenges to received ideas about performance practice, he concentrated his work on Monteverdi for three years before deciding to devote most of his time to the medieval and Renaissance repertoires , fields in which he felt he was entirely free to express his musical aesthetics.

Today, enriched by his experience of those earlier periods, he is returning to the vocal repertoires of the seventeenth and eighteenth centuries, for which he has an enduring affection, and is offering interpretations that are more lyrical and contrapuntal than those many audiences are used to. Alongside his âmedieval carrerâ, Dominique Vellard has kept up his involvement in other repertoires, exploring the fruitful possibilities of encounters between the earliest works in his repertoire and traditions as varied as North Indian Classic repertories (with Ken Zuckerman), Southern Indian Carnatic singing (with Aruna Saïram), Breton Guerz (with Yann-Fañch Kemener), and Spanish traditions (with Ana-Isabel Arnaz de Hoyos -Ensemble âVox suavisâ), while remaining active in recitals with the organist and composer Jean-Pierre Leguay, whose Secundum Matthæum (According to Matthew, 1999), Pater noster and Alleluia (2001) are dedicated to him. In 2005 he was involved in a creation by Gilbert Amy. Dominique Vellard has made about forty recordings, whether as soloist, conductor, or at the head of the Ensemble Gilles Binchois, which he has directed since 1979.
He has taught at the Schola Cantorum in Basel since 1982. He has also been the Artistic director of the festival Les Rencontres Internationales de Musique Médiévale du Thoronet since it was first held in 1991, and from 2003, of Les Meslanges de Printemps (Dijon).


Duo M&M:
Duo M&M was formed in 2003 by lutenists Mirko Arnone and Maria Ferré whilst they were studying with prof. Rolf Lislevand at the Staatliche Hochschule für Musik in Trossingen, Germany.

Since then, concentrating on the interpretation of Renaissance and Baroque music for lute, theorbo and Baroque guitar, Duo M&M has become established through a great deal of concert experience.

Duo M&M performs alone or as continuo in ensembles and has played with Dominique Vellard, LâArt du Bois, UCS, Luna in many European countries (Germany, France, Switzerland, Norway, Spain, Holland, Belgium and Italy),the USA and Mexico. Appearing with LâArt du Bois, Duo M&M won the Van Wassenaer Competition (Den Haag) in 2006, when they were also distinguished with a special prize for their continuo playing. In 2007, Duo M&M performed with LâArt du Bois in the International Haendel Festival in Goettingen. During the same year, they also appeared in the re-named early music festival âVia Stellaeâ in Santiago de Compostella and in Barcelona at the Festival de Musica Antiga. Duo M&M have worked successfully together with singer Dominique Vellard since meeting at the Schola Cantorum Basiliensis in 2005. Their many appearances together have been celebrated by overwhelming applause.


in partnership with CDbaby

User tags:
classical renaissance, classical baroque, mp3 album



Votes: ratingratingratingratingrating Rate it! (No votes yet - 0!)


Reviews: Review it! (This product has no reviews yet)



Related Files

Thumbnail MP3 Christene Bauden & Dorine Tolley - English and Dutch Music of Renaissance to Baroque
8.99 USD download

Mp3 Christene Bauden & Dorine Tolley - English And Dutch Music Of Renaissance To Baroque (8 MB)

  1. play button
    Serband
  2. play button
    Where E'er You Walk
  3. play button
    Unter der Linen Grune
  4. play button
    If Music Be the Food of Love
  5. play button
    Allemand
  6. play button
    When Daisies Pied
  7. play button
    My Lady Carey's Dompe
  8. play button
    The Silver Swan
Thumbnail MP3 Diego Navarrete - Renaissance Guitar Vol. 2
8.99 USD download

Mp3 Diego Navarrete - Renaissance Guitar Vol. 2 (15 MB)

  1. play button
    Toy in A Major, D.D.S.211
  2. play button
    Branle de Bourgogne in D Major
  3. play button
    The Parlement in D Major
  4. play button
    Volt in D Major
  5. play button
    Tarleton's Resurrection in A Major
  6. play button
    Ballet in D Major
  7. play button
    Galliard in D Major, D.D.5.78
  8. play button
    The Cobbler in A Major
  9. play button
    Galliard in E Minor
  10. play button
    The Night Watch in A Major
  11. play button
    Air in E Major
  12. play button
    Guardame Las Vacas in A Minor
  13. .:oO more Oo:.
Thumbnail MP3 The Marini Consort  - Secrets of the Heavens With Mark Rylance, Mark Tucker and Catherine King
8.99 USD download

Mp3 The Marini Consort - Secrets Of The Heavens With Mark Rylance, Mark Tucker And Catherine King (19 MB)

  1. play button
    Sapphic Ode
  2. play button
    Invocation to the Moon
  3. play button
    Fantasia Segundo Tono
  4. play button
    Invocation to Mercury
  5. play button
    Der Hund
  6. play button
    Chui Dicese
  7. play button
    Invocation to Venus
  8. play button
    Virgine Bella
  9. play button
    Invocation to the Sun
  10. play button
    Iam Fulsit Sol
  11. play button
    In Te Domine
  12. play button
    Invocation to Mars
  13. .:oO more Oo:.