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Drama : English, Irish, Scottish, Welsh


Caesar And Cleopatra - George Bernard Shaw

An October night on the Syrian border of Egypt towards the end of the XXXIII Dynasty, in the year 706 by Roman computation, afterwards reckoned by Christian computation as 48 B.C. A great radiance of silver fire, the dawn of a moonlit night, is ri......

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Candida - George Bernard Shaw

A fine October morning in the north east suburbs of London, a vast district many miles away from the London of Mayfair and St. James's, much less known there than the Paris of the Rue de Rivoli and the Champs Elysees, and much less narrow, squalid......

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Fanny's First Play - George Bernard Shaw

Fanny's First Play, being but a potboiler, needs no preface. But its lesson is not, I am sorry to say, unneeded. Mere morality, or the substitution of custom for conscience was once accounted a shameful and cynical thing: people talked of right an......

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The Cambridge Companion To Beckett

The world fame of Samuel Beckett is due to a combination of high academic esteem and immense popularity. An innovator in prose fiction to rival Joyce, his plays have been the most influential in modern theatre history. As an author in both English......

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The Politics Of Irish Drama: Plays In Context From Boucicault To Friel - Nicholas Grene

In this book Nicholas Grene explores political contexts for some of the outstanding Irish plays from the nineteenth century to the contemporary period. The politics of Irish drama have previously been considered primarily the politics of national ......

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The Cambridge Companion To Shakespearean Comedy

This is an accessible, wide-ranging and informed introduction to Shakespeare's comedies and romances. Rather than taking each play in isolation, the chapters trace recurring issues, suggesting both the continuity and the variety of Shakespeare's p......

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Author's Pen And Actor's Voice: Playing And Writing In Shakespeare's Theatre - Robert Weimann

In this seminal work, Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre. Through close reading and careful analysis Weimann offers a reconsideration and redefinition of Elizabethan pe......

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Rescripting Shakespeare - Alan C. Dessen

Building on almost 300 productions from the last 25 years, Alan Dessen focuses on the playtexts used when directors stage Shakespeare's plays: the words spoken, the scenes omitted or transposed, and the many other adjustments that must be made. Di......

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Shakespeare's Late Style - Russ Mcdonald

When Shakespeare gave up tragedy around 1607 and turned to the new form we call romance or tragicomedy, he created a distinctive poetic idiom that often bewildered audiences and readers. The plays of this period, Pericles, Cymbeline, The Winter's ......

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Shakespeare's Humanism - Robin Headlam Wells

Renaissance humanists believed that if you want to build a just society you must begin with the facts of human nature. This book argues that the idea of a universal human nature was as important to Shakespeare as it was to every other Renaissance ......

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Shakespeare: Hamlet 2ed - Paul A. Cantor

In this useful guide, Paul Cantor provides a clearly structured introduction to Shakespeare's most famous tragedy. Cantor examines Hamlet's status as tragic hero and the central enigma of the delayed revenge in the light of the play's Renaissance ......

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Dramaturgy - Mary Luckhurst

Dramaturgy: A Revolution in Theatre is the first substantial history of the origins of dramaturgs and literary managers. It frames the recent explosion of professional appointments in England within a wider continental map reaching back to the Enl......

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'michael Field' - Marion Thain

'Michael Field' (1884-1914) was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Cooper, who lived and wrote together as 'lovers'. The large oeuvre contains poems, dramas, and a vast diary. Marion Thain recounts the devel......

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Drama : English, Irish, Scottish, Welsh