MP3 Ha Thanh Lich - Diem Xua [2011 Edition] Trinh Cong Son Pham Duy Khanh Ha Thanh Lich Duc Huy Truc Phuong Vu Duc Sao Bien Thanh Trang Ngo Thuy Mien Tran Thien Thanh Tu Cong Phung Cung Tien Bach
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22 MP3 Songs in this album (105:46) !
Related styles: Pop: Japanese Pop, Jazz: Jazz-Rock, Featuring Guitar
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Tuoi Da Buon [Tuá»i Äá Buá»n ] âThe age of the Sad Boulderâ song reflects the tranquility of the Vietnameseâ s souls in the war time. It is not a bout the plain and peaceful quiet but about the dynamic silence like the state of breath holding in the tiger hunting or a meditating period between the intense fire with exploitation of all the beauty of the truly deep raspy alto color of epically musical vocal Ha Thanh Lich. She has successfully depicted the fervors of the waiting calmness, the restricted fear and the intense strain in every Vietnamese in the war. It, the artistically musical sound track as a whole also exhibits the diverse opinions of different groups of the Vietnamese people interpreting the war. It is a tough job for engineer Becker to perform the task of professor Minh Quan, D. A. ( 5) Five different musical instruments, in the musical solo of the artistic masterpiece, play independently at the same time, to lead to 5 different directions with all arguments for its best perspective proving their points of views. Every piece of musical instrument must have distinctive space in the whole space to tell at highly defined standard the listeners its story independently and simultaneously. That how you can separate them is the challenge for the audio engineer Becker. We can distinguish the state of strain or temper holding or pre chaos in that tranquil piece of artistic music. Fortunately, they come to lead to the same direction at the end.
Then, The White Summer, Ha Trang [ Háº¡ Tráº¯ng ], the musical piece of the CD theme with lively tempo expresses the goal seeking a new hope or leader in the unclear ambiguous blurry whitest twilight zone. Furthermore, Van Co Em Ben Doi [Váº«n Có Em Bên Äá»I] and Mot Ngay Nhu Moi Ngay [ Má»t Ngày NhÆ° Má»i Ngày ] are two contrast of moods. One is slow the another is hard rock genre.
Moreover, Dem Thay Ta La Thac Do [Äêm Tháº¥y Ta Là Thác Äá» ] music with rumba genre has ability of mesmerism inciting curiosity of exploration of the different world with defined symbolic group colors. Then, Moi Hong Dao [ Môi Há»ng Äào ] Pinky Lips and Trong Noi Dau Tinh Co [Trong Ná»i Äau Tình Cá» ] are light music.
Finally, the album ends by Diem Xua [ Diá»m XÆ°a ] with the most dynamic arrangement ever with introduction of the new upbeat arrangement beginning with the rush beats of the modern innocent hearts in love at the first sight with electric guitar and piano dominating the musical theme.
Trinh Cong Son in âXin Máº·t Trá»i Ngá»§ Yênâ [ Xin Mat Troi Ngu Yen = Please sleep .. sleep... sleep deeply the Sun ] seems like an unrealistic call or petition to the world since the Sun in the center of our galaxy is the most dynamic and moving entity which nuclear fusion reaction happening continuously and relentlessly. The composer introduces the image of the Sun to reflect the extreme dynamics, the ultimate unlimited energy, the overheated boiling state and the extreme strain of the Vietnamese people experienced over prolonged time period of the Vietnam war. Every Vietnamese hopes to see a day to go by peacefully since every moment of time, the growing rosy minded youth have been thrown in the war, worn out and varnished in certain hills of the country. The composer represents for the university students, the intelligent of the country. They, equipped with a highest summit of smartness residing scatteringly in the capital Saigon of the South Vietnam, feel incompetent at the war. They fill their emptiness themselves with uncertain philosophies. Eventually, they join the rest of the people of Vietnam to pray and wish for the Sun to calm down and to go to sleep, sleep, and sleep â¦ They hope that the day of the end of the Vietnam war is coming and surprisingly always believe the bright future of the country when the Vietnam war is over.
Minh Quan, D. A., the musical arranger apprehends the mentality of the strain, the pressure, the dread and the ambiguity of the people in the war. He keeps the melody and not want to limit the listenersâ imaginations by modifying, extending the range of the song to the fullness of the mezzo soprano with all the deep notes of the alto to challenge the vocal artists to express the spirit of human beings in the Vietnam war ranging not only the aggressive dynamics, the terrific explosion, the extreme strain and the horrific chaos but also state of the dread, the closeness, the ambiguity, the hallucination and the paranoia.
The audiences can easily recognize Ha Thanh Lichâs musical voice not only falls freely deep down to but also touches the bottom of the deepest note of the female human âs voice in the state of the raspy sustain vibration. At the high end notes, 16 notes apart from the deepest one, The epically musical voice of Ha Thanh Lich not only energetically launches, high speedily soars and vigorously penetrates but also suddenly explodes at the peak of the dense matrix of the musical orchestration created by professor Minh Quan, D.A. That dramatic mirage needs the epically gifted vocal artist to reproduce the deepest states as well as dramatic climax of human beingâs emotions in artistically expressing the audio musical painting of Trinh Cong Son music about the Vietnamese people in theVietnam war.
The epically musical voice [Tiáº¿ng hát Khôi Nguyên: Hà Thanh Lá»ch], with seemingly only in the mythological legend once again maintains and declares the crown of the vocal artist at an epic with all of hers obscure meanings.
The certified audio engineer, Theodore Stone Becker, seems well understand how to control the colossal instrumentation of the great musical professor to bring to the max effects for the vocal to create the dramatic beauty, the relentless dynamic, the highly tension, the involuntary anxiety and the overheated boiling state of the pre-chaos to simulate the rhetorical forcefulness at the culmination of the climax of the artistically musical song.
â Dem Thay Ta La thac Do â, composed by Trinh Cong Son, being able viewed as a painting, obviously has the ghostly force of attentive attraction of the spectacles being swirled into its eddy . I repeat the song â Dem Thay Ta La Thac Do â over and over again . And, I have the same feeling repeatedly getting lost in the bizarre place with the color of gray and brown with little bright purple somewhere. Also, I see the picture of single bloody red flower on hand of the lonely girl walking down the street. I utter the surprise greatly for the talented arranger, the composer, vocal artist and the sound engineer as well. This seems their combined artistic piece of music creates the boundless imagination by the idealistic orchestration of the ingenious composer: Trinh Cong Son, The academic arranger: professor Minh Quan, D. A. , the Epic Vocal Artist: Ha Thanh Lich and the professional sound retainer, engineer Theodore Stone Becker. I dig deeper into this perspective in hope to find out the what is the main ingredient for the mesmerism. Did the composer Trinh Cong Son propose for the hypnotized outcome? The song already was musically arranged by many other musicians; The song already was performed by many singers. There are sopranos and tenors as well as baritones which are not counted since their voices do not fit to the note composition of the song. There is one with similar with HTL at the deep alto range with pounding of the deep Re but truly I do not feel that strong hypnotism like the one I hear from CD The White Summer [ Ha Trang ] of Ha Thanh Lich. There are many speculations I may infer from:
1- The role of the musical arranger Minh Quan, D. A. is the key factor for that mesmerism.
2- The role of the epically vocal artist Ha Thanh Lich producing voice at the alto level touching the bottom of the hell of humanâs soul at raspy stimulation is the determinative factor.
3- The role of the certified sound engineer selected diligently and preserved the artistic music is the power of mesmerism. OR
4- The role of Trinh Cong Son combined with musical harmony of professor Minh Quan, D. A. and sound engineer Theodore Stone Becker are synchronized with epically musical voice of Ha Thanh Lich to the state of being resonant to create the state of the inevitable attraction of the powerful mesmerism. The four factors are all required for the piece of arts of Trinh Cong Son music is shaped
It is just a brief hint to lead you to imagination when you listen to âÄêm Tháº¥y Ta Là Thác Äá»â.
It is a great pleasure if you, the audiences, feedback what your imaginations to share to the remaining people of the world.
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