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MP3 Chris Bergson Band - Imitate the Sun

Six strikingly original songs and the band''s interpretations of material by Willie Dixon, Bessie Smith, Elmore James and Bob Dylan. From the pastoral Americana reminiscent of The Band to atmospheric country blues to horn-driven Memphis soul.

10 MP3 Songs in this album (46:37) !
Related styles: Rock: Roots Rock, Blues: Soul-Blues, Type: Vocal

People who are interested in Otis Redding Ray Charles The Band should consider this download.

"One of the most inventive songwriters in modern blues music." Richard Skelly, All Music Guide

Hailed by Living Blues as "A Serious Talent", New York guitarist, singer and songwriter Chris Bergson is
that exceptionally rare individual with the burgeoning talent and emotional reserve to embrace fully the
indigenous music of the South, along with R&B, rock and folk.

Born in New York City but raised in Somerville, Massachusetts, Chris Bergson returned to Manhattan in
1995. While backing jazz singers Annie Ross, Dena DeRose, Sasha Dobson and Norah Jones, he released
Blues for Some Friends of Mine and Wait for Spring on Juniper Records in 1997 and 2000,
respectively. In 2002 Bergson was appointed a Jazz Ambassador of the USA by the John F. Kennedy
Center for the Performing Arts and he toured Africa with his trio. Evolving to further embrace the blues
while also adding pop influences, he followed up with Blues (2003), Another Day (2005) and his
triumphant artistic breakthrough, the widely acclaimed Fall Changes (2007) -- MOJO’s #1 Blues Album
of 2008 -- that established him as an eloquent, evocative and lyrical songwriter with a sharp urban vision.
Recorded at Levon Helm’s Woodstock studio, it led to Bergson being personally invited to perform at the
famed drummer’s Midnight Rambles while opening the way for more stateside festivals and subsequent
tours of Europe. Bergson has performed and shared the stage with Hubert Sumlin, Little Sammy Davis,
Etta James, John Hammond, Dr. Lonnie Smith, and Levon Helm, to name just a few.

Imitate the Sun contains six strikingly original songs and four thoughtful covers that allow his fertile
creativity free rein. With his regular band of Jay Collins (tenor and baritone saxes, backing vocals, horn
arrangements), Matt Clohesy (bass) and Tony Leone (drums, percussion) augmented by Bruce Katz
(organ, piano, Wurlitzer organ), Kenny Rampton (trumpet) and Chris Karlic (baritone sax), Bergson
makes every track a complete and rewarding musical statement. “Goin’ Home” has the easy lope, elastic
groove and pastoral Americana ambience reminiscent of the Band at which Bergson excels. Addressing
the classic theme of returning to the familiarity and comfort of the mythic “home” for which so many
people long, he amplifies his yearning with twangy, pedal steel-style “pickin’ ‘n grinnin’” and tasty down
home embellishments. The title track presents a dramatic soul groove with an uplifting chorus, a gleefully
honking tenor solo from Collins and the poignant lyric of “…soon I''m gonna imitate the sun, after days of
having his rays, obscured by smog and storms, breaks through the clouds, shines on down, blinding all
below..." delivered with his emotive and convincing growl. Again his guitar speaks its piece as Bergson
squeezes its neck until it shouts back in defiance.

“Shattered Avenue” is an atmospheric solo country blues lament showcasing his masterful, authentic and
bone-chilling electric slide guitar. In a measured voice all the more powerful for its restraint, Bergson
adds to the blues canon as he ruefully charges his lover with, “…spend half your life tryin’ to soothe your
mind, sayin’ everything’s all right.” A dynamic change of pace follows with the minor key, horn-driven
Memphis soul of “Hello Bertha.” Paying homage to a woman of easy virtue with sympathy for her lot in
life while simultaneously acknowledging the value of her services, he sings, “Shakin’ off the shackles of
another shady week” and “Hello Bertha, it’s good to see you again.” With his rhythm section locked-in to
a taut but limber pocket, he unfurls an amazing “vocal” guitar solo shorn of the histrionics a lesser
instrumentalist may have been tempted to indulge.

A surging, churning cover of Howlin’ Wolf’s classic Delta blues romp “Down in the Bottom” plays to one of
Bergson’s many strengths as his natural, unaffected bluesy drawl is complimented by his layered slide
and lead guitars. Veteran and stellar keyboardist Katz, who provides invaluable backing throughout, adds piquant acoustic piano that contrasts texturally with the jubilantly grinding axes. Dramatically switching
moods and modes, Bergson next features a poetic love song cast as a gentle, wistful blues ballad.
“Laying It Down in White” brilliantly employs the melancholy imagery of “taking out the Christmas tree
and laying it down in white…on the stoop, New Year’s day, snow driftin’ by…” as the metaphor for his
insecurity regarding his lover’s true intentions. Turning down the volume, he accompanies his heartfelt
vocal with subtle fingerpicked rhythm and silky smooth lead guitars. The metaphors continue on the
Bessie Smith classic “You’ve Been a Good Old Wagon” (“…mama, but you done broke down”) with both
Bergson and Katz channeling the 1920s era of the classic women blues singers. Displaying slide licks
reminiscent of Hawaiian guitar, the leader is followed by tenor man Collins who lists Gregg Allman as one
of his other employers.

Bergson creates another memorable and conniving street character on “Mr. Jackson” to go with “The
Bungler” from Fall Changes. An exuberant chunk of funk, it features his hip, jivey lyrics and vocals
along with a sprightly guitar solo egged on by the bleating horn section and the dancing piano fingers of
Katz. Maintaining the high spirits, Bergson plays against type on the Elmore James classic “Dust My
Broom” by eschewing the expected slide guitar for a spiky solo intensified by the muscular barrelhouse
piano of Katz. Following the stomping blues shuffle, he ends his latest musical chapter on an elegiac note
with a plaintive reading of Bob Dylan’s “Standing in the Doorway.” Starting quietly with just his rhythm
guitar for accompaniment, Bergson builds the longest track on the album to a musical and emotional
catharsis. Once again proving himself a worthy interpreter of the “bard,” he gets deep inside the
bittersweet lyrics, laying bare his feeling as only the great artists have the courage and confidence to do.

Chris Bergson is a young man on a mission with his blues-breaking guitar, passionate vocals and literate
lyrics. He is out to leave an indelible mark on the world of music and succeeding spectacularly with lifeaffirming
art that both consoles and excites. The sum total is an impressive and growing body of work
that reaches across the ages and boundaries.

Dave Rubin, 2005 Winner of KBA in Journalism

"* * * * ...these guys could strip down the engine of a soulbluesmobile and put it back together
blindfold." MOJO
"Bergson''s stirring voice and glorious guitar command immediate attention." Blues Revue
"Seriously street-smart songwriting and Allman-esque vocal prowess..." https://www.tradebit.com
"Bergson is accompanied by a stellar band whose musical acumen provides the perfect foil for Bergson''s
deeply soulful baritone vocals and dynamic fretwork, which melds the influences of Wes Montgomery and
T-Bone Walker to perfection. A hugely talented artist." Blues in Britain
"Fresh and inventive...a tour de force." Elmore

CD RELEASE SHOWS (More dates at https://www.tradebit.com
Saturday, May 14 - Falcon Arts Center, Marlboro, NY, https://www.tradebit.com
Saturday, May 21 - The Turning Point, Piermont, NY, https://www.tradebit.com
Friday, June 3 - The Bowery Electric, New York, NY, https://www.tradebit.com

Facebook: chrisbergsonband
Twitter: chrisbergson
YouTube: chrisbergsonband

Publicist and Radio: Betsie Brown, Blind Raccoon, betsie@https://www.tradebit.com, 901.278.6850

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