Synopsis
A comprehensive study of the clarinet in use through the classical period, 1760 to 1830, a period of intensive musical experimentation. The book provides a detailed review and analysis of construction, design, materials, and makers of clarinets. Rice also explores how clarinet construction and performance practice developed in tandem with the musical styles of the period.

Excerpt

As the Clarinet, is an Instrument much esteemed in Regimental Bands as well as in Concerts, a short Description of it and it's effects will be necessary before the Method of playing on it is shewn. It is divided into four Parts; the Mouth Piece, (on which a flat Reed is tied) the upper Joint, the middle Piece, and the Bell or bottom Piece. It has thirteen Holes, five of which are stopped by Keys; it is to those Keys that the Instrument is indebted for its chief Use, as before they were contrived, the Clarinet could not be used in Concert, as at present it is. When played by itself, the fullness and sweetness of Tone is very pleasing, but when Joined with French Horns only, or in Concert with other Instruments, it's charming Effect is too obvious to be particularly described.