download process

MP3 Pezzettino - Lion

Not Available

This file is no longer available on Tradebit.

MP3 Pezzettino - Lion -
11 MB PHP File - Platform: MP3

"ethereal and haunting, bringing a fantastically different, textural sound to what is decidedly not what you would expect to hear coming out of an accordion" -American Indie

11 MP3 Songs in this album (37:12) !
Related styles: POP: Pop/Rock, ROCK: American Underground

People who are interested in Andrew Bird Regina Spektor Dresden Dolls should consider this download.


Details:
Pezzettino's Margaret Stutt is a force of nature. Her music is ethereal and haunting, bringing a fantastically different, textural sound to what is decidedly not what you would expect to hear coming out of an accordion. The Milwaukee, Wisconsin based artist is an unexpected combination of grace and gravity, with a firm grasp on who she is and an engaging sense of humor; you want to be her friend, and you can't help becoming a fan.

On songs like the plaintive, piano driven Territorial and the darker, more gritty Walk From Here, Pezzettino's classically trained pianist shines like a beacon to the unbroken, a show of solidarity in survival. Entrenched in life and the living of it, Margaret Stutt has a lot to say. The world would do well to listen up.

You've got a lot going on this month! Tell us about your tour. What are some of the highlights and challenges?
Itâs thrilling! I love driving, a chance to put life on time-out and collect my thoughts. New songs bubble up and I usually come off the road with a new sense of purpose and direction.
The hard part is feeling isolated from belonging everywhere and nowhere at the same time. I miss normal stuff that I usually take for granted, like cocooning in my comforter⦠or grabbing a bite to eat with a friend.

We are (sadly) not together for this interview, so set the scene for me. Where are you right now, and what are you doing as you prepare to ponder and answer my intense and probing questions?
I'm huddled in my car, hijacking some blessed soul's internet. Now that winter is over, it's not as bad using my car as an office. I'm about to make lemon poppy seed muffins to bring into the local radio station tomorrow morning for their fund drive!
You'll be at Arlene's Grocery in NYC at the end of the month, right? I really like shows there, and I've heard great things about playing there from a few different artists. Are there any venues that you're really looking forward to playing?
Arlene's Grocery is one of the first bigger venues that booked me, several months ago, so this show is pretty symbolic in my mind. The alphabet cannot contain my excitement about that, and working with The Pabst Theater back home in Milwaukee. Everything about it is fantastic- the architecture, the staff, the stage and sound system... A year ago, I never would have imagined that I'd be releasing my own music, nonetheless tour, so to be working with a venue that hosts my idols is truly a dream come true.

Your lyrics seem really vulnerable and honest. I recently read that your work is at least somewhat based on your personal life. Do you typically draw from personal experiences when you're writing? Which tracks do you feel most represent that, and why?
Itâs 100 autobiographical. Maybe I shouldn't admit that⦠Each song is basically a letter to somebody, to express something that I don't have the guts to say in "real life." I'm normally a pretty private person, and itâs very cathartic, spilling my guts to a group.

Let me tell you, itâs also cathartic to send these letter songs to the person theyâre written about, but in the end it makes things REALLY INTENSE AND POTENTIALLY AWKWARD. Haha! Iâm learning to either keep my mouth shut in real life, or to stand by the idea of âsurvival of the fittest.â
The hardest song for me to share off Lion is Proved You Wrong. I will never perform that one live. I feel uncomfortable listening to it, and even more so, talking about it. Itâs just⦠itâs not pretty facing yourself as harboring bitterness. Itâs not an emotion Iâm proud of, but in this particular situation, itâs there like a crack in the wall. More than any song, the expression is an attempt to let it go.
You have a really beautiful, unique sound. How would you describe it?
Thank you! I'm still discovering what my "sound" is. So far I've been describing the music based on the albums. Lion is fierce, aggressive, and confrontational. Last year's Because I Have No Control... is like unapologetically showing up for a date after jumping from a moving car, with skinned knees and messy hair. Next year's Lamb is tender and vulnerable. The one after that is unnamed, but so far the songs seems to have this matter-of-factness about them, we'll see where the sound goes! I'm an observer in this, the songs come out with their own personalities, sort of like pets or babies. I'm just a mother of many.

So you're a classically trained pianist, but you picked up the accordion pretty recently, right? Can you tell us about your musical background, and what lead up to your decision to tackle an instrument like the accordion? What do you like about using it in your music?
We performed a rip-off version of Cinderella at school when I was six. Every day Iâd teach myself the songs by ear on piano, and when my teacher caught wind, she had me perform daily in front of the grade. My parents took me to lessons at the local convent, where I trained for five years. I quit when the focus of playing was to compete and win gold medals.

It wasn't until last year when music returned to my life. I was about to get married and felt uneasy about where my life was going, so I spent hours searching on Craigslist for nothing in particular. I responded to an "Indie band seeking drummerâ post. My e-mail said something like, âIâm not a drummer, but uh... how about a piano player?â I sat on my hands during the first band practice, and at the very end, one of the guys tossed an accordion at me and said, "Here, play this, none of us knows how."
It didnât make sense at the time- why I suddenly felt so compelled to join this no-name band. It was just a gut feeling. Iâm very grateful for the circumstances that ushered the accordion into my life. It reconnected me with musical expression. There's something about the amplified sound coming right off your chest... Songs started pouring out of me, and I feel very free now.

You're a solo artist, but you were supported by a band on your new album, Lion. How did that differ from what you've done before? Are you touring with a band now?
The accordion is amazingly flexible- it has such a full sound, that it can easily carry its own. Iâve been touring solo, but am starting to bring the band to Milwaukee, Madison, and Chicago. In due time, Iâll bring full support. For now though, itâs more sustainable to tour as a solo act.

Itâs pretty convenient that the sound in my head for the first album was totally solo, because I didnât know any other musicians that would comprise a so-called band! Because I Have No Control⦠is a lo-fi collection of private musings. Itâs raw, a real window into that period in my life when the house of cards fell down and I was picking up the pieces.

Lion is the first professionally recorded and mastered album. Itâs a totally magical process, bringing a group of people together to realize a sound thatâs in your head. Iâm very grateful for everyone that contributed to this project, who believed in the vision.

You released Lion on Record Store Day, and your next album, Lamb, will be released on Record Store Day 2010. Was that a strategic decision? What does Record Store Day mean to you, and what will it mean for your albums?
Actually, the only reason Lion was released on Record Store Day was because Neko Case was playing across town on April 24, and April 18th was the only other April date open at my venue. I was determined to have the release before May, when winter has not quite lifted and people are feeling âsick of it.â

But Record Store Day turned out to be fortuitous timing! I love collaborating with independent businesses, being independent myself.

What is your favorite song to perform live?
Thatâs hard, it depends on my mood, the venue, and the vibe Iâm getting from the audience. Some days I really just need to perform certain songs for therapeutic reasons, or because I need to gush⦠other days I seek a conversation with the group⦠I try to feel out how people are responding, so we can all âbe there for each other.â
Who are your inspirations as a musician?
Frida Kahlo and Eleanor Roosevelt.

Are there any bands or artists that you'd really like to work with?
Iâll pee my pants if I get the chance to work with Andrew Bird, Avett Brothers, Yann Tiersen, or Sufjan Stevens. Actually, the list of people Iâd pee my pants for is quite extensive⦠Not that I ever pee my pants. I should find a new expressionâ¦

What's on your playlist right now?
I really prefer silence most of the time. And since the Napster fall-out and graduating college, I stopped downloading music. So yeah. Lately, Iâve had the great luck of exchanging CDâs with other touring musicians. Some of my favorites are Horse in the Sea, Chris Koza, Juniper Tar, Brian Just, and Jentri Colello. But my dear friends have taken it as their personal mission to expose me to new stuff (luckily), and Iâm a fan of Lykke Li and St. Vincent.

You have a vlog on YouTube, and I really love watching the stuff that you post. What made you decide to join the "vlogging revolution"? What do you like about doing it?
Jim Gaffigan vlogged to promote King Baby, and I thought it was a really fun idea. It was neat for me to see him in settings other than a stage⦠you know, as a real person. I also thought it was a brilliant way to get the word out, itâs more personal than the sterile text of a blog, and it doesnât cost a dime.

I initially intended to vlog for two weeks before the Lion release, but itâs so much fun that Iâm running with it. I love editing clips and making artistic summaries of a moment. As well as being able to SHOW people the things Iâm seeing when Iâm out there⦠itâs about sharing.

You also use MySpace and Twitter as vehicles to reach your audience. Do you feel that social media is important for independent artists? Where else can we find you online? Do you have any plans to expand your web presence?
Social media has been a godsend for me. With a âzeroâ budget, Myspace, Facebook, YouTube, and Twitter are welcome channels of communicating with people. Iâm a member of other sites, but so far they donât seem as active. Iâve heard of Tumblr but I havenât checked it out yetâ¦

An official âPezzettinoâ website is in the works, but thatâs like an office. Twitter, etc. is more like a street party⦠As far as Iâm concerned, the more street parties, the better!

What are a few things that you want people to know about you?
Haha⦠um⦠I want people to know that I am very grateful for people listening to the sounds that come out of me. And I poop like every other person and animal out there.

And finally, what's the next big thing for Pezzettino?
Supporting the release of Lion on The Witch is Dead national tour! Woohoo!

-- American Indie


in partnership with CDbaby

(ID 8421826)

File Data:

Contact Seller:
music, CDbaby reseller US, Member since 06/19/2005

URL:

Embed:
Create JavaScript Mobile Tag Widgets for your homepage

More Files From This User

Related Files


Tradebit Reviews

Tradebit is the worlds largest marketplace for digital files, with over 2.5 million satisfied customers and millions of digital products. Online for over 12 years, Tradebit is the best place to find files like music, video tutorials, repair manuals, and more. If you're curious about how much our users love Tradebit, read reviews from real buyers!